Copyright and Home Copying: Technology Challenges the LawDIANE Publishing, 1995 - 293 lappuses |
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1.5. rezultāts no 44.
16. lappuse
... importance of home copying to the problem of encouraging the arts . But sev- eral panel members felt that the overall issue of financial support for the arts deserves atten- tion . This , however , is beyond the scope of this study ...
... importance of home copying to the problem of encouraging the arts . But sev- eral panel members felt that the overall issue of financial support for the arts deserves atten- tion . This , however , is beyond the scope of this study ...
22. lappuse
... important for home audiotaping . The OTA survey found that only about a third of home audiotapes made by respondents using prerecorded sources were copied from prerecorded cassettes . The bulk of home audiotapes of this type were copied ...
... important for home audiotaping . The OTA survey found that only about a third of home audiotapes made by respondents using prerecorded sources were copied from prerecorded cassettes . The bulk of home audiotapes of this type were copied ...
29. lappuse
... importance on royalties for copying that is permitted to continue following the adoption of any technical standards . All parties to the MOU agreed that the adoption of technical standards should not be relied upon as a basis for ...
... importance on royalties for copying that is permitted to continue following the adoption of any technical standards . All parties to the MOU agreed that the adoption of technical standards should not be relied upon as a basis for ...
37. lappuse
... important to re- cord companies ' profits . Multigenerational digital copies ( i.e. , " clones " ) could be pro- duced with no loss of quality.4 In support of consumers , and make using them more con- venient . 37 Chapter 2.
... important to re- cord companies ' profits . Multigenerational digital copies ( i.e. , " clones " ) could be pro- duced with no loss of quality.4 In support of consumers , and make using them more con- venient . 37 Chapter 2.
44. lappuse
... important differences between digital formats and analog formats for information storage , recording , playback , and transmis- sion are : The resolution and signal - to - noise ratio are greater for digital than for analog re ...
... important differences between digital formats and analog formats for information storage , recording , playback , and transmis- sion are : The resolution and signal - to - noise ratio are greater for digital than for analog re ...
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albums analog artists ASCAP audio recording blank tapes blank-tape broadcast cable comments on draft compact disc compulsory license considered consumers copy-protection copyright holders copyright law copyright owners cording costs courts distribution draft ch economic electronic Enclosure with comments equipment estimates fair fair-use footnote hardware Harry Fox Agency home audio copying home audiotaping home copying home taping homemade tapes HRRC intellectual property legislation levy license listening made-tape material music taping option OTA survey past month percent performing rights Performing Rights Societies player prerecorded cassette prerecorded formats prerecorded music prerecorded tapes private copying producers programs protection purchase questions radio recorded music recording company recording industry revenues RIAA Rosen royalties sample SESAC SKIP TO Q songwriters sound recordings sumers sure survey found tapers television tion U.S. Congress Unweighted base videocassette recorder videotape
Populāri fragmenti
87. lappuse - Independently of the author's economic rights, and even after the transfer of the said rights, the author shall have the right to claim authorship of the work and to object to any distortion, mutilation or other modification of, or other derogatory action in relation to, the said work, which would be prejudicial to his honor or reputation.
169. lappuse - ... (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
111. lappuse - 'publicly" means (1) to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered...
iv. lappuse - NOTE: OTA appreciates and is grateful for the valuable assistance and thoughtful critiques provided by the advisory panel members. The panel does not, however, necessarily approve, disapprove, or endorse this report. OTA assumes full responsibility for the report and the accuracy of its contents.
112. lappuse - performing rights society" is an association, corporation, or other entity that licenses the public performance of nondramatic musical works on behalf of copyright owners of such works, such as the American Society of Composers, Authors and Publishers (ASCAP), Broadcast Music, Inc. (BMI), and SESAC, Inc. "Phonorecords...
76. lappuse - Copies" are material objects, other than phonorecords, in which a work is fixed by any method now known or later developed, and from which the work can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term "copies" includes the material object, other than a phonorecord, in which the work is first fixed.
65. lappuse - Congress shall have power to promote the progress of science and the useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries, and to make all laws which shall be necessary and proper for carrying into execution the foregoing powers.
75. lappuse - Ownership of a copyright, or of any of the exclusive rights under a copyright, is distinct from ownership of any material object in which the work is embodied. Transfer of ownership of any material object, including the copy or phonorecord in which the work is first fixed, does not of itself convey any rights in the copyrighted work embodied in the object; nor, in the absence of an agreement, does transfer of ownership of a copyright or of any exclusive rights under a copyright convey property rights...
83. lappuse - ... fifty years from the making of the original plate from which the contrivance was directly or indirectly derived, and the person who was the owner of such original plate at the time when such plate was made shall be deemed to be the author of the work...
75. lappuse - When an individual author's ownership of a copyright, or of any of the exclusive rights under a copyright, has not previously been transferred voluntarily by that individual author, no action by any governmental body or other official or organization purporting to seize, expropriate, transfer, or exercise rights of ownership with respect to the copyright, or any of the exclusive rights under a copyright...