tive system, the muscular system; The clearer the voice, the

clearer the mind; Lisping tones betray a want of balanced judg

ment; Impediment to perfect articulation; Evolution of

language in connection with evolution of the voice; Harsh

voices; Unconscious imitation; Elocutionary exercises; A man

capable of emitting sound independent of the organs of speech;

Comparison of the tones of the different races of civilization.

THE MOUTH,.

The line of closure; Analyzing a mouth; The graminivorous

mouth; The singing mouth; The artistic mouth; The conver-

sational and oratorical mouth; The meditative mouth; The

common-sense mouth; The orderly mouth; The economical

mouth; The destructive or carnivorous mouth; Criminal mouths.

THE CHEEKS,

General remarks; The two divisions of the cheeks; The em-

bryonic; The globose, or infantile; The gluttonous; Oval or

artistic cheek; The rectangular or conscientious cheek; The

dimpled or beautiful cheek; The concave, or consumptive; The

dyspeptic; The criminal; Normal upper cheek; Abnormal

form of cheeks.

THE NOSE, .

The evolution of the nose; The physiology of the nose; The

anatomical formation of the nose; Table of elements to be

considered in relation to the nose; General remarks; Lower

division-artistic and literary; Middle division-constructive;

Upper division-executive; The three general outlines of the

nostrils; The form or outline of the nose; The three basilar

forms of the nose; The concave or immature nose of the

adult, negative character; Embryotic type; Infantoid type;

Idiotic type; Snub type; Pup type; Retroussée type; Sing-

ing type; Straight class-passive character; Poetic type;

Artistic type; Literary type; Critic's type; Philosophic

type; Dramatic type; Constructive type; Athletic types;

Convex class-osseous system dominant-positive character;

Argumentative type; Commercial type; Melancholy type;

Dishonest type; Scientific type; Mechanic type; Abnormal

type.

THE EYE,

The forms of the eye; The three general forms of the eye;

Artistic type; Reflective type; The agreeable eye; The lin-

guistic eye; Politic eye; Untruthful eye; Upward oblique;

Double obliquity; Observing eyelid; Licentious and un-

principled form; Secretive and acquisitive eye; Truthful eye;

Normal eye; Abnormal type; The size of the eye; Expres-

sion of the eye; Artistic expression; Observant expression;

Magnetic expression; Brutal expression; Gluttonous expres-

sion; Shallow and passionate expression; Nictitating fold.

THE EYELASHES,

The interciliary space; Artistic interciliary space; Super-
stitious type.

837

848

866

936

969

THE EYEBROWS,

Normal position of the inner termini; The conceited brow;

The observing eyebrow; The credulous eyebrow; Position of

the middle of the brows-the impractical brow; The artistic

brow; Position of the outer termini—the arithmetical brow;

The deceptive eyebrow; The aesthetic eyebrow; The inventive
eyebrow; The vital eyebrow; The delicate eyebrow; Move-
ments of the brows; The colors of the eyebrow.

THE FOREHEAD, .

The practical forehead; The projecting forehead; Infantile

forehead; The mechanical forehead; The artistic forehead;

The scientific and mechanical forehead.

THE HEAD,.

THE HAIR, .

The evolution of the hair; The quality or texture of the hair;

The quantity of the hair; The various colors of the hair;

The remedy for gray hair; Various sorts of curly hair;

Straight hair; Cause and cure for baldness; The beard; The

texture of the beard.

The significations of the forms of the ear; The position of

the ear; Defective positions; The external and internal ear;

The three divisions of the ear; The color of the ear; The

forms of the ear; The musical ear; The unmusical ear; The

oratorical ear; The commercial ear; Generous versus stingy

ear; The courageous ear; The timid ear; The linguistic ear;

The refined ear; The unrefined ear; The abnormal ear.

The lines of the face; The wrinkles of the face; The wrinkles

in the chin; The wrinkles in the lower cheeks; Wrinkles of

the lower lip; Wrinkles about the eyes; Mirthful wrinkles at

the outer corners of the eyes; Wrinkles under the eyes;

Wrinkles on the forehead; Wrinkles of the neck; General

wrinkles.

DIMPLES,

974

987

993

997

1015

1032

1042

Signification of dimples; Dimples in the chin; Dimples in

the cheeks.

THE TEETH,.

1045

The physiognomical significance of the teeth; Animal types

of the teeth.

THE GUMS, .

THE TONGUE,

1050

1052

The construction and divisions of the hand; The position of

the hand; The lines of the hand; The vegetative or infantoid

hand; Muscular class of hands; Muscular class No. II (round

muscles); The osseous class (square bones); Brain class;

Mixed hands; Beautiful hands; Texture of the hand; The

color of the hand.

THE NAILS,.

The color of the nails.

1057

1067

. 1082

CHAPTER IV.

SIGNS OF HEALTH AND DISEASE, STRENGTH AND WEAKNESS, BEAUTY

AND UGLINESS, IN THE HUMAN FACE AND BODY.

Signs of strength; Compression of the female waist; Signs

of beauty in woman; The facial features as revelators of

strength and beauty; The nose, the chin, cheeks, and lips;

The complexion; Use of stimulants; Disease of the eyes; The

forehead; Bilateral symmetry of the face; The thorough-bred;

What are the indications of a thorough-bred person; How to

reduce the size without losing strength, .

1085

CHAPTER V.

CHOICE OF VOCATIONS.

THE COMBINATIONS OF FACULTIES FOR TRADES AND PROFESSIONS,

The method to pursue in reading character; The combination

of systems and faculties suitable for a hotel or boarding house

keeper; The combination of systems and faculties required for

a mechanic; The combination of systems and faculties required

for a printer; The systems and faculties essential to a dress-

maker or designer of women's fashions; The systems and

faculties required by a cook; The combination of systems

and faculties required for a farmer; The combination of sys-

tems and faculties required for an engineer; The system and

1111

faculties essential to merchants; The systems and faculties

required for a speculator; The systems and faculties essential

for a painter; Systems and faculties essential to a player; The

faculties necessary to a tragedian; The systems and faculties

essential to a comedian; The systems and faculties essential

to a society belle; The systems and faculties necessary for an

opera-singer; The systems and faculties requisite for a musical

composer; The systems and faculties essential to a sculptor;

The systems and faculties required by a physician; The systems

and faculties required for a surgeon; Other classes of surgeons;

The systems and faculties essential to the orator; The electric

class of orators; Magnetic class of orators; The systems and

faculties essential to a clergyman; The systems and faculties

essential to a lawyer; The systems and faculties essential to

an inventor; The systems and faculties needed by a commander;

The systems and faculties necessary to a scientist; The systems

and faculties required by a civil engineer; The systems and

faculties required by a banker; The systems and faculties

required by a philanthropist; The systems and faculties neces-

sary to a philologist; The systems and faculties essential to an

editor; The systems and faculties required by a writer of

fiction; The systems and faculties required by a statesman.

ORIGIN AND EVOLUTION OF THE VISCERAL ORGANS AND FACIAL FEATURES,

SUMMARY OF THE ORIGIN AND EVOLUTION OF THE VISCERAL ORGANS

1187

TABULATED SUMMARY OF THE Origin and EVOLUTION OF THE ORGANS, 1209

"26. LADY ANGELA GEORGINA BURDETT-COUTTS BARTLETT-COUTTS,

63

65

66

67

67

72

75

84

94

273

. 275

277

288

304

305

314

315

318

319

326

327

330

331

336

337

340

341

350

351

356

357

368

369

374

375

380

381

386

387

394

395

398

399

410

(xxvii)