The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 35.
12. lappuse
... true of each member of a class ; as it is merely a rather dramatic method of explanation , one does not hesitate to call it exposition . In the end , the question of ultimate purpose determines the rhetorical classification . II ...
... true of each member of a class ; as it is merely a rather dramatic method of explanation , one does not hesitate to call it exposition . In the end , the question of ultimate purpose determines the rhetorical classification . II ...
14. lappuse
... true , we can find examples of pure description , of description drawn solely for the sake of æsthetic delight in a picture presented with no thought of rendering more effective an expository , an argumentative , or a nar- rative idea ...
... true , we can find examples of pure description , of description drawn solely for the sake of æsthetic delight in a picture presented with no thought of rendering more effective an expository , an argumentative , or a nar- rative idea ...
18. lappuse
... the critic , it is true , but to them they certainly possess practical value . If definite character- 1 Dickens's Dombey and Son . istic advantages do belong to one form of discourse as 18 RHETORICAL PRINCIPLES OF NARRATION Summary.
... the critic , it is true , but to them they certainly possess practical value . If definite character- 1 Dickens's Dombey and Son . istic advantages do belong to one form of discourse as 18 RHETORICAL PRINCIPLES OF NARRATION Summary.
57. lappuse
... true episodic proportion . The chronicler of fact , if he be a historian in the best sense of the word , - will be restrained by a saving sanity as to relative values . No heat of passion will make him unscrupulous , and his regard for ...
... true episodic proportion . The chronicler of fact , if he be a historian in the best sense of the word , - will be restrained by a saving sanity as to relative values . No heat of passion will make him unscrupulous , and his regard for ...
58. lappuse
... true patriotism . His force becomes therefore merely the force of expres- sion , and lacks the greater emphasis that comes with a sane and catholic attitude to history . ( 4 ) Coherence Coherence as an element in episodic narration is ...
... true patriotism . His force becomes therefore merely the force of expres- sion , and lacks the greater emphasis that comes with a sane and catholic attitude to history . ( 4 ) Coherence Coherence as an element in episodic narration is ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background becomes biography chapter char character characteristics characterization chronicle clear climax coherence complete complication composition consideration constitute course culmination Cynegils definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episodes essential Esther evident example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Godfrey Cass Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore King literary literature Macaulay Marjorie Daw Martin Chuzzlewit matter method mind Mordecai Naaman narration narrative writing nature novel paragraph passage personage personality picture plot structure point of view portrayal present principle purpose reader rhetorical scene secure sense sentence short-story Silas Marner single Stone Face story style successive theme Thomas Hardy thought threads Thucydides tion tive truth ultimate unity Vanity Fair various Violin words writer
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