The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 31.
12. lappuse
... less likelihood of confusion than between narration and ex- position . Argument has to do with demonstrating the truth or falsity of a given proposition , and between this process and the orderly arrangement of the temporal details that ...
... less likelihood of confusion than between narration and ex- position . Argument has to do with demonstrating the truth or falsity of a given proposition , and between this process and the orderly arrangement of the temporal details that ...
31. lappuse
... less eyes were closed forever . ( 2 ) Emphasis In the narrative item , as in the ordinary isolated paragraph , emphasis , or effectiveness , is secured by so massing the details as to bring out definitely and vividly the fundamental ...
... less eyes were closed forever . ( 2 ) Emphasis In the narrative item , as in the ordinary isolated paragraph , emphasis , or effectiveness , is secured by so massing the details as to bring out definitely and vividly the fundamental ...
33. lappuse
... less rever- ence for the feudal past than the men of his day ; he was indeed utterly without the imagination and reverence which enable men to sympathize with any past at all . He had a practical man's impatience of the obstacles thrown ...
... less rever- ence for the feudal past than the men of his day ; he was indeed utterly without the imagination and reverence which enable men to sympathize with any past at all . He had a practical man's impatience of the obstacles thrown ...
46. lappuse
... less im- portance . This consideration is less purely technical and grammatical than the preceding ; it appeals more to the artistic judgment of the writer , to his sense of effect- iveness . The writer of the simplest narrative form ...
... less im- portance . This consideration is less purely technical and grammatical than the preceding ; it appeals more to the artistic judgment of the writer , to his sense of effect- iveness . The writer of the simplest narrative form ...
55. lappuse
... point that in historic narra- tion the writer has less freedom in the manipulation of his episodes than has the writer of fiction . Lockhart , in his biography of Scott , was far more limited in CHARACTERISTICS OF NARRATIVE FORMS 55.
... point that in historic narra- tion the writer has less freedom in the manipulation of his episodes than has the writer of fiction . Lockhart , in his biography of Scott , was far more limited in CHARACTERISTICS OF NARRATIVE FORMS 55.
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background becomes biography chapter char character characteristics characterization chronicle clear climax coherence complete complication composition consideration constitute course culmination Cynegils definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episodes essential Esther evident example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Godfrey Cass Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore King literary literature Macaulay Marjorie Daw Martin Chuzzlewit matter method mind Mordecai Naaman narration narrative writing nature novel paragraph passage personage personality picture plot structure point of view portrayal present principle purpose reader rhetorical scene secure sense sentence short-story Silas Marner single Stone Face story style successive theme Thomas Hardy thought threads Thucydides tion tive truth ultimate unity Vanity Fair various Violin words writer
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