The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
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1.5. rezultāts no 39.
ix. lappuse
... composition the purpose of which is to set in order the details of an occurrence . Yet the novel and the short- story have constantly obtruded themselves . From its very character , its broader emotional appeal , fiction furnishes by ...
... composition the purpose of which is to set in order the details of an occurrence . Yet the novel and the short- story have constantly obtruded themselves . From its very character , its broader emotional appeal , fiction furnishes by ...
x. lappuse
... composition : in setting , in characterization , in the order- ing of plot - material . But extensive reading should at- tend the work of composition ; it will serve as a basis for discussion , illustration , and imitation . Few courses ...
... composition : in setting , in characterization , in the order- ing of plot - material . But extensive reading should at- tend the work of composition ; it will serve as a basis for discussion , illustration , and imitation . Few courses ...
2. lappuse
... composition , and as spatial relations often are essential to expository com- position , so the various considerations that arise in con- nection with narration depend fundamentally upon the time - element . In illustration of what has ...
... composition , and as spatial relations often are essential to expository com- position , so the various considerations that arise in con- nection with narration depend fundamentally upon the time - element . In illustration of what has ...
4. lappuse
... composition , ultimate analysis reveals these two funda- mental elements , the unified , single occurrence , and the constituent details arranged in due order . In view of the foregoing considerations , it is interest- ing to observe ...
... composition , ultimate analysis reveals these two funda- mental elements , the unified , single occurrence , and the constituent details arranged in due order . In view of the foregoing considerations , it is interest- ing to observe ...
5. lappuse
... composition is evident from the outset . The looseness of narrative structure that results from inattention to the detail of coherence is well exemplified in many of Dickens's works . More than one reader of Bleak House has speedily ...
... composition is evident from the outset . The looseness of narrative structure that results from inattention to the detail of coherence is well exemplified in many of Dickens's works . More than one reader of Bleak House has speedily ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background becomes biography chapter char character characteristics characterization chronicle clear climax coherence complete complication composition consideration constitute course culmination Cynegils definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episodes essential Esther evident example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Godfrey Cass Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore King literary literature Macaulay Marjorie Daw Martin Chuzzlewit matter method mind Mordecai Naaman narration narrative writing nature novel paragraph passage personage personality picture plot structure point of view portrayal present principle purpose reader rhetorical scene secure sense sentence short-story Silas Marner single Stone Face story style successive theme Thomas Hardy thought threads Thucydides tion tive truth ultimate unity Vanity Fair various Violin words writer
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