The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 43.
xiii. lappuse
... generous assistance in preparing this work for publication . WILLIAMS COLLEGE WILLIAMSTOWN , MASSACHUSETTS April 22 , 1911 C. L. M. THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION Narration " INTRODUCTION xiii.
... generous assistance in preparing this work for publication . WILLIAMS COLLEGE WILLIAMSTOWN , MASSACHUSETTS April 22 , 1911 C. L. M. THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION Narration " INTRODUCTION xiii.
xiv. lappuse
Carroll Lewis Maxcy. Crew وه THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION Narration “
Carroll Lewis Maxcy. Crew وه THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION Narration “
1. lappuse
Carroll Lewis Maxcy. THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION Narration " recounts the particulars of an occurrence , or makes a statement of facts , in chronological order . ” Standard Dictionary . Narration is “ an ...
Carroll Lewis Maxcy. THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION Narration " recounts the particulars of an occurrence , or makes a statement of facts , in chronological order . ” Standard Dictionary . Narration is “ an ...
16. lappuse
... chapter in Dickens's Tale of Two Cities , entitled " The Grindstone , " where the gruesome picture of blood and frenzy is cast in the form of a detailed inci- dent . Just as Muir found the mood of narration best suited to the clear ...
... chapter in Dickens's Tale of Two Cities , entitled " The Grindstone , " where the gruesome picture of blood and frenzy is cast in the form of a detailed inci- dent . Just as Muir found the mood of narration best suited to the clear ...
19. lappuse
... criti- cism becomes more truly scientific and not merely a welter of impressions . Distinctions of method are not the mere wire - drawn subtleties of theory . CHAPTER II ANALYSIS OF THE NARRATIVE FORM It is evident DEFINITION 19.
... criti- cism becomes more truly scientific and not merely a welter of impressions . Distinctions of method are not the mere wire - drawn subtleties of theory . CHAPTER II ANALYSIS OF THE NARRATIVE FORM It is evident DEFINITION 19.
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background becomes biography chapter char character characteristics characterization chronicle clear climax coherence complete complication composition consideration constitute course culmination Cynegils definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episodes essential Esther evident example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Godfrey Cass Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore King literary literature Macaulay Marjorie Daw Martin Chuzzlewit matter method mind Mordecai Naaman narration narrative writing nature novel paragraph passage personage personality picture plot structure point of view portrayal present principle purpose reader rhetorical scene secure sense sentence short-story Silas Marner single Stone Face story style successive theme Thomas Hardy thought threads Thucydides tion tive truth ultimate unity Vanity Fair various Violin words writer
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