Musical History, Biography, and Criticism, 1. sējumsJohn W. Parker, 1838 |
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accompanied admirable afterwards airs Alessandro Scarlatti ancient anthems appears beautiful born Burney cantatas celebrated century chapel character chorus chorusses church composer compositions concerts consisted Corelli delight distinguished Domenico Scarlatti dramatic duets effect England English excellent expression favour favourite feeling formed France Franco of Cologne French friends fugue Geminiani genius Germany give Gluck grace greatest Greeks Handel harmony harpsichord Haydn hear heard honour instruments Italian opera Italy John Sebastian Bach Jomelli kind king labours learned Lulli madrigals majesty manner master melody ment Metastasio modern motets Mozart musician Naples never notwithstanding occasion oratorios orchestra organist passion performed piano-forte piece play poetry Porpora poser powers present produced Psalms Purcell Purcell's received recitative remarkable residence Rome sacred music says Scarlatti Sebastian Bach Senesino singers singing sixteenth solos songs sounds style sung talents taste theatre tion Venice Vienna violin vocal voice words writings
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10. lappuse - If he had wished our misery, he might have made sure of his purpose, by forming our senses to be so many sores and pains to us, as they are now instruments of gratification and enjoyment: or by placing us amidst objects...
204. lappuse - But soon, ah soon, rebellion will commence, If music meanly borrows aid from sense : Strong in new arms, lo ! giant Handel stands, Like bold Briareus, with a hundred hands ; To stir, to rouse, to shake the soul he comes, And Jove's own thunders follow Mars's drums, Arrest him, empress ; or you sleep no more...
108. lappuse - With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light: There let the pealing organ blow, To the full-voiced choir below, In service high, and anthems clear, As may with sweetness through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes.
15. lappuse - If I forget thee, 0 Jerusalem, let my right hand forget her cunning. If I do not remember thee, let my tongue cleave to the roof of my mouth; if I prefer not Jerusalem above my chief joy.
110. lappuse - Baptista,1 who hath proposed a play in Italian for the opera, which T. Killigrew do intend to have up ; and here he did sing one of the acts. He himself is the poet as well as the musician, which is very much, and did sing the whole from the words without any musique prickt, and played all along upon a harpsicon most admirably, and the composition most excellent.
58. lappuse - Then she sat down low upon a cushion, and I upon my knees by her, but with her own hand she gave me a cushion to lay under my knee, which at first I refused, but she compelled me to take it. She then called for my Lady Strafford out of the next chamber, for the queen was alone.
111. lappuse - King never would come ; now not the King only for state, but all civil people do think they may come as well as any. He tells me that he hath gone several times, eight or ten times, he tells me, hence to Rome to hear good musique ; so much he loves it, though he never did sing or play a note. That he hath ever endeavoured in the late King's time and in this to introduce good musique, but he never could do it, there never having been any musique here better than ballads. Nay, says
276. lappuse - ... embouchure was clear and even, his finger brilliant, and his taste pure and simple. I was much pleased, and even surprised with the neatness of his execution in the allegros, as well as by his expression and feeling in the adagio; in short, his performance surpassed, in many particulars, any thing I had ever heard among Dilettanti, or even professors. His majesty played three long and difficult concertos successively, and all with equal perfection.
55. lappuse - First it is a knowledge easily taught, and quickly learned ; where there is a good master and an apt scholar. " 2. The exercise of singing is delightful to Nature, and good to preserve the health of man.
181. lappuse - Nicolini, who sets off the character he bears in an opera by his action, as much as he does the words of it by his voice. Every limb, and every finger, contributes to the part he acts, insomuch...