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accepted according appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concept considered construction context continuity Corbusier critics cultural developed discussed effect elements entire example Exhibition exist experiment expressive systems façade fact follow functional German hand historians historical horizontal House idea important included indexes indicated individual influence intentional interest International Style issue language later limited material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature noted object originated painting Pevsner photographs political position possible pre-canonical presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space stage statement street structure style suggested symbolic terpretation text analysis tion types walls writing wrote
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Architectural Morphology: An Introduction to the Geometry of Building Plans
Priekšskatījums nav pieejams - 1983