An Introduction to English LiteratureHolt, 1899 - 556 lappuses |
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1.–5. rezultāts no 92.
x. lappuse
... Later Elizabethan Literature , The Seventeenth Century Lyrists , John Milton , Study List , Milton , · 164 169 171 174 187 PART III PERIOD OF FRENCH INFLUENCE . 1660 - cir . 1750 The England of the Restoration , The Eighteenth Century ...
... Later Elizabethan Literature , The Seventeenth Century Lyrists , John Milton , Study List , Milton , · 164 169 171 174 187 PART III PERIOD OF FRENCH INFLUENCE . 1660 - cir . 1750 The England of the Restoration , The Eighteenth Century ...
xii. lappuse
... Later Poets of the Revolution , 359 Byron , 361 Study List , Byron , 369 Shelley , 369 Study List , Shelley , 377 Keats , 378 Study List , Keats , 392 CHAPTER II . RECENT WRITERS . 1830 Victorian England , 395 Macaulay , 407 Carlyle ...
... Later Poets of the Revolution , 359 Byron , 361 Study List , Byron , 369 Shelley , 369 Study List , Shelley , 377 Keats , 378 Study List , Keats , 392 CHAPTER II . RECENT WRITERS . 1830 Victorian England , 395 Macaulay , 407 Carlyle ...
10. lappuse
... later time . The comparative richness of the literature since Chaucer's time , as well as the remoteness and the difficulties of language which beset us before that period , tend to make us lose sight of the living inter- est and ...
... later time . The comparative richness of the literature since Chaucer's time , as well as the remoteness and the difficulties of language which beset us before that period , tend to make us lose sight of the living inter- est and ...
11. lappuse
... later literature : 1. By the making of the Race . The modern English people , whose national char- acter English literature interprets and expresses , was formed during this time by the mixture of different race elements . 2. By the ...
... later literature : 1. By the making of the Race . The modern English people , whose national char- acter English literature interprets and expresses , was formed during this time by the mixture of different race elements . 2. By the ...
26. lappuse
... devours him . Then he attacks Beowulf and they close in deadly grapple , the * I . e . , not earlier than 511-512 A. D. , nor later than 752 A. D hero using no weapon , but trusting solely in his 26 INTRODUCTION TO ENGLISH LITERATURE.
... devours him . Then he attacks Beowulf and they close in deadly grapple , the * I . e . , not earlier than 511-512 A. D. , nor later than 752 A. D hero using no weapon , but trusting solely in his 26 INTRODUCTION TO ENGLISH LITERATURE.
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Addison Alfred Tennyson Arnold Ballads Battle beauty Beowulf BIOGRAPHY AND CRITICISM Browning Browning's Burke Byron Cædmon Carlyle Carlyle's character Charles Chaucer classic Coleridge Coleridge's death Defoe delight drama Dryden early edition Elizabethan Encyclopædia Britannica England English Literature English poetry epic Essays faith feeling French genius George Eliot Goldsmith greatest Henry human influence John John Ruskin Keats King learning Letters Series literary living London Lord lyric Macaulay Matthew Arnold ment Milton modern moral nature Norman Norman Conquest novel novelist Paradise Lost passion period plays poem poet poetic political Pope prose Queen Quincey reign religious romance Ruskin Sartor Resartus satire Scott seems Shakespeare Shelley Shelley's song sonnets soul Spenser spirit stanza story STUDY LIST style Swift sympathy Tennyson Theodore Watts things Thomas Thomas Carlyle thought tion translation trouvère verse Walter William Wordsworth writers wrote
Populāri fragmenti
111. lappuse - Rain influence, and judge the prize Of wit, or arms, while both contend To win her grace, whom all commend. There let Hymen oft appear In saffron robe, with taper clear, And pomp, and feast, and revelry, With mask, and antique pageantry, Such sights as youthful poets dream On summer eves by haunted stream.
195. lappuse - Of these the false Achitophel was first, A name to all succeeding ages curst: For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit; Restless, unfixed in principles and place, In power unpleased, impatient of disgrace ; A fiery soul, which working out its way, Fretted the pigmy body to decay, And o'er-informed the tenement of clay.
172. lappuse - We shall grow old apace, and die Before we know our liberty. Our life is short, and our days run As fast away as does the sun; And, as a vapour or a drop of rain, Once lost, can ne'er be found again, So when or you or I are made A fable, song, or fleeting shade, All love, all liking, all delight Lies drowned with us in endless night. Then while time serves, and we are but decaying, Come, my Corinna, come, let's go a-Maying.
173. lappuse - Alas! what boots it with uncessant care To tend the homely slighted shepherd's trade, And strictly meditate the thankless Muse? Were it not better done as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
184. lappuse - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
173. lappuse - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
130. lappuse - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
182. lappuse - Nothing is here for tears, nothing to wail Or knock the breast, no weakness, no contempt. Dispraise or blame, nothing but well and fair. And what may quiet us in a death so noble.
3. lappuse - There is first the literature of knowledge, and secondly, the literature of power. The function of the first is — to teach; the function of the second is — to move: the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately, it may happen, to the higher understanding or reason, but always through affections of pleasure and sympathy.
131. lappuse - Nature that fram'd us of four elements, Warring within our breasts for regiment, Doth teach us all to have aspiring minds.