An Introduction to English LiteratureHolt, 1899 - 556 lappuses |
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1.5. rezultāts no 76.
. lappuse
... Wordsworth : Poems , Coleridge : Ancient Mariner . Scott : Poems . Lamb : Christ's Hospital Five - and- Thirty Years Ago . Byron : Poems . Keats : Poems . Carlyle : On Robert Burns . Macaulay : On Samuel Johnson . Browning : Poems ...
... Wordsworth : Poems , Coleridge : Ancient Mariner . Scott : Poems . Lamb : Christ's Hospital Five - and- Thirty Years Ago . Byron : Poems . Keats : Poems . Carlyle : On Robert Burns . Macaulay : On Samuel Johnson . Browning : Poems ...
xi. lappuse
... Wordsworth , 308 Study List , Wordsworth , 319 Coleridge , 324 Study List , Coleridge , 336 Sir Walter Scott , 338 Study List , Scott , Thomas De Quincey , Study List , De Quincey , 345 346 355 Charles Lamb , PAGE 356 Study List , Lamb ...
... Wordsworth , 308 Study List , Wordsworth , 319 Coleridge , 324 Study List , Coleridge , 336 Sir Walter Scott , 338 Study List , Scott , Thomas De Quincey , Study List , De Quincey , 345 346 355 Charles Lamb , PAGE 356 Study List , Lamb ...
30. lappuse
... . xiii . , or Green's English People , vol . i . p . 46. V. also Wordsworth's render- ing of this , Ecclesiastical Sonnets , part i . son . xvi . lished , and Canterbury became the first great center in 30 INTRODUCTION TO ENGLISH ...
... . xiii . , or Green's English People , vol . i . p . 46. V. also Wordsworth's render- ing of this , Ecclesiastical Sonnets , part i . son . xvi . lished , and Canterbury became the first great center in 30 INTRODUCTION TO ENGLISH ...
274. lappuse
... Wordsworth . In his love of children and of animals , in his profound sympathy with suffer- ing , in his lyrical beauty , and in his feeling for nature he represents the best tendencies of his time . While in literature the influence of ...
... Wordsworth . In his love of children and of animals , in his profound sympathy with suffer- ing , in his lyrical beauty , and in his feeling for nature he represents the best tendencies of his time . While in literature the influence of ...
278. lappuse
... Wordsworth ( 1770- 1850 ) , Samuel Taylor Coleridge ( 1772-1834 ) , and Robert Southey ( 1774-1843 ) . With the three wri- ters last named , and with Sir Walter Scott , who represents a phase of the movement of which we have not yet ...
... Wordsworth ( 1770- 1850 ) , Samuel Taylor Coleridge ( 1772-1834 ) , and Robert Southey ( 1774-1843 ) . With the three wri- ters last named , and with Sir Walter Scott , who represents a phase of the movement of which we have not yet ...
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Addison Alfred Tennyson Arnold Ballads Battle beauty Beowulf BIOGRAPHY AND CRITICISM Browning Browning's Burke Byron Cædmon Carlyle Carlyle's character Charles Chaucer classic Coleridge Coleridge's death Defoe delight drama Dryden early edition Elizabethan Encyclopædia Britannica England English Literature English poetry epic Essays faith feeling French genius George Eliot Goldsmith greatest Henry human influence John John Ruskin Keats King learning Letters Series literary living London Lord lyric Macaulay Matthew Arnold ment Milton modern moral nature Norman Norman Conquest novel novelist Paradise Lost passion period plays poem poet poetic political Pope prose Queen Quincey reign religious romance Ruskin Sartor Resartus satire Scott seems Shakespeare Shelley Shelley's song sonnets soul Spenser spirit stanza story STUDY LIST style Swift sympathy Tennyson Theodore Watts things Thomas Thomas Carlyle thought tion translation trouvère verse Walter William Wordsworth writers wrote
Populāri fragmenti
111. lappuse - Rain influence, and judge the prize Of wit, or arms, while both contend To win her grace, whom all commend. There let Hymen oft appear In saffron robe, with taper clear, And pomp, and feast, and revelry, With mask, and antique pageantry, Such sights as youthful poets dream On summer eves by haunted stream.
195. lappuse - Of these the false Achitophel was first, A name to all succeeding ages curst: For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit; Restless, unfixed in principles and place, In power unpleased, impatient of disgrace ; A fiery soul, which working out its way, Fretted the pigmy body to decay, And o'er-informed the tenement of clay.
172. lappuse - We shall grow old apace, and die Before we know our liberty. Our life is short, and our days run As fast away as does the sun; And, as a vapour or a drop of rain, Once lost, can ne'er be found again, So when or you or I are made A fable, song, or fleeting shade, All love, all liking, all delight Lies drowned with us in endless night. Then while time serves, and we are but decaying, Come, my Corinna, come, let's go a-Maying.
173. lappuse - Alas! what boots it with uncessant care To tend the homely slighted shepherd's trade, And strictly meditate the thankless Muse? Were it not better done as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
184. lappuse - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
173. lappuse - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
130. lappuse - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
182. lappuse - Nothing is here for tears, nothing to wail Or knock the breast, no weakness, no contempt. Dispraise or blame, nothing but well and fair. And what may quiet us in a death so noble.
3. lappuse - There is first the literature of knowledge, and secondly, the literature of power. The function of the first is to teach; the function of the second is to move: the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately, it may happen, to the higher understanding or reason, but always through affections of pleasure and sympathy.
131. lappuse - Nature that fram'd us of four elements, Warring within our breasts for regiment, Doth teach us all to have aspiring minds.