Copyright Law for Librarians and Educators: Creative Strategies and Practical Solutions

Pirmais vāks
American Library Association, 2006 - 141 lappuses
Copyright in the world of digital information is changing at a fevered pace, even as educators and librarians digitize, upload, download, draw on databases, and incorporate materials into web-based instruction. It's essential to stay abreast of copyright law and fair use without information overload. For fresh, timely insights and application of copyright law for librarians, educators, and academics, Professor Crews maps the territory in a dramatically revised edition of Copyright Essentials. Readers will: learn basic copyright definitions and key exceptions for education and library services; find information quickly with key points sidebars, legislative citations and cross-references; understand the four factors of fair use and related court interpretations;and get up to speed on current interpretations of the Digital Millennium Copyright Act from a librarian-educator viewpoint. Highly praised in its 2000 edition, the new Copyright Essentials draws on cutting edge case law in 18 discrete areas of copyright, including specialized and controversial music and sound recording issues. their rights and responsibilities as copyright owners and users in this succinct, easy-to-use guide.

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LibraryThing Review

Lietotāja recenzija  - davidloertscher - LibraryThing

Take a look at your professional shelves. You probably already have several books about copyright on them and perhaps even an older edition of this title. Crews knows the latest laws on copyright and ... Lasīt pilnu pārskatu

LibraryThing Review

Lietotāja recenzija  - Tricoteuse - LibraryThing

This is an excellent resource for librarians, a very straightforward but interesting discussion of the essentials of copyright that everyone needs to know. Lasīt pilnu pārskatu

Atlasītās lappuses

Saturs

The Scope of Protectable Works
3
Works without Copyright Protection
7
Rights of Ownership
13
Duration and Formalities How Long Do Copyrights Last?
15
Who Owns the Copyright?
21
The Rights of Copyright Owners
28
Exceptions to the Rights of Owners
33
Working with Fair Use
37
Responsibilities Liabilities and Doing the Right Thing
79
Special Features
85
Music and Copyright
87
The Digital Millennium Copyright Act
93
Copyright and Unpublished Materials
101
Permission from Copyright Owners
108
Selected provisions from the U S Copyright Act
113
Checklist for Fair Use
123

Fair Use Getting Started
39
Fair Use Understanding the Four Factors
44
Getting Comfortable with Fair Use Applying the Four Factors
52
The Meaning of FairUse Guidelines
60
Focus on the Education and Libraries
65
Distance Education and the TEACH Act
67
Libraries and the Special Provisions of Section 108
74
Checklist for the TEACH Act
125
Model Letter for Permission Requests
127
GUIDE TO ADDITIONAL READING
129
CASES CITED
133
INDEX
135
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Populāri fragmenti

115. lappuse - ... (1) to reproduce the copyrighted work in copies or phonorecords; (2) to prepare derivative works based upon the copyrighted work; (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending...
115. lappuse - work made for hire" is defined as: (1) "a work prepared by an employee within the scope of his or her employment"; or (2) "a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall...
117. lappuse - Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
115. lappuse - ... (2) a still photographic image produced for exhibition purposes only, existing in a single copy that is signed by the author, or in a limited edition of 200 copies or fewer that are signed and consecutively numbered by the author. A work of visual art...
41. lappuse - ... (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
115. lappuse - Such works shall include works of artistic craftsmanship insofar as their form but not their mechanical or utilitarian aspects are concerned; the design of a useful article, as defined in this section, shall be considered a pictorial, graphic, or sculptural...
122. lappuse - ... a technological measure that effectively controls access to a work protected under this tile; (B) has only limited commercially significant purpose or use other than to circumvent a technological measure that effectively controls access to a work protected under this title...

Par autoru (2006)

Kenneth D. Crews is the Samuel R. Rosen II Professor of Law and Director of the Center for Intellectual Property and Innovation at the Indiana University School of Law-Indianapolis, with a joint appointment to the Indiana University School of Library and Information Science.

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