Copyright Law for Librarians and Educators: Creative Strategies and Practical SolutionsAmerican Library Association, 2006 - 141 lappuses Copyright in the world of digital information is changing at a fevered pace, even as educators and librarians digitize, upload, download, draw on databases, and incorporate materials into web-based instruction. It's essential to stay abreast of copyright law and fair use without information overload. For fresh, timely insights and application of copyright law for librarians, educators, and academics, Professor Crews maps the territory in a dramatically revised edition of Copyright Essentials. Readers will: learn basic copyright definitions and key exceptions for education and library services; find information quickly with key points sidebars, legislative citations and cross-references; understand the four factors of fair use and related court interpretations;and get up to speed on current interpretations of the Digital Millennium Copyright Act from a librarian-educator viewpoint. Highly praised in its 2000 edition, the new Copyright Essentials draws on cutting edge case law in 18 discrete areas of copyright, including specialized and controversial music and sound recording issues. their rights and responsibilities as copyright owners and users in this succinct, easy-to-use guide. |
Saturs
| 3 | |
| 7 | |
| 13 | |
| 15 | |
Who Owns the Copyright? | 21 |
The Rights of Copyright Owners | 28 |
Exceptions to the Rights of Owners | 33 |
Working with Fair Use | 37 |
Responsibilities Liabilities and Doing the Right Thing | 79 |
Special Features | 85 |
Music and Copyright | 87 |
The Digital Millennium Copyright Act | 93 |
Copyright and Unpublished Materials | 101 |
Permission from Copyright Owners | 108 |
Selected provisions from the U S Copyright Act | 113 |
Checklist for Fair Use | 123 |
Fair Use Getting Started | 39 |
Fair Use Understanding the Four Factors | 44 |
Getting Comfortable with Fair Use Applying the Four Factors | 52 |
The Meaning of FairUse Guidelines | 60 |
Focus on the Education and Libraries | 65 |
Distance Education and the TEACH Act | 67 |
Libraries and the Special Provisions of Section 108 | 74 |
Checklist for the TEACH Act | 125 |
Model Letter for Permission Requests | 127 |
GUIDE TO ADDITIONAL READING | 129 |
CASES CITED | 133 |
INDEX | 135 |
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
2d Cir 9th Cir A&M Records Acuff-Rose Music allows American Library Association apply audiovisual chapter classroom commercial Congress copy or phonorecord copyright infringement copyright law Copyright Management copyright notice copyright owner copyright protection court ruled created creative detailed Digital Millennium Copyright distance education distribution DMCA educators and librarians Elcomsoft electronic example Exclusive Rights federal first-sale doctrine formalities four factors guidelines important journal Kinko's liability library or archives licensing limited means ment Millennium Copyright Act motion picture musical nondramatic NXIVM offers original performance or display performance rights permission photocopying policies Professor Tran provision public domain published purpose reasonable requirements Rural Telephone Service Section 108 sound recording specific Statutes at Large statutory damages statutory exceptions Supp TEACH Act technological tion transmission U.S. Copyright Act U.S. Copyright Office U.S. Statutes U.S. Supreme Court University users WMFH
Populāri fragmenti
115. lappuse - ... (1) to reproduce the copyrighted work in copies or phonorecords; (2) to prepare derivative works based upon the copyrighted work; (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending...
115. lappuse - work made for hire" is defined as: (1) "a work prepared by an employee within the scope of his or her employment"; or (2) "a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall...
117. lappuse - Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
115. lappuse - ... (2) a still photographic image produced for exhibition purposes only, existing in a single copy that is signed by the author, or in a limited edition of 200 copies or fewer that are signed and consecutively numbered by the author. A work of visual art...
41. lappuse - ... (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
115. lappuse - Such works shall include works of artistic craftsmanship insofar as their form but not their mechanical or utilitarian aspects are concerned; the design of a useful article, as defined in this section, shall be considered a pictorial, graphic, or sculptural...
122. lappuse - ... a technological measure that effectively controls access to a work protected under this tile; (B) has only limited commercially significant purpose or use other than to circumvent a technological measure that effectively controls access to a work protected under this title...