Film Copyright in the European UnionCambridge University Press, 2002. gada 20. jūn. - 431 lappuses Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on this subject, Pascal Kamina unravels the complexities of film protection in the fifteen member states of the European Union, giving special emphasis to the United Kingdom and France. As well as addressing key aspects of film copyright, Kamina also deals with the protection of film works within the European Union in the context of European harmonisation of copyright laws. He details the main features of the domestic legislations of EU member states, and identifies the difficulties awaiting a further harmonization of copyright and neighbouring rights in this field. This book will interest practitioners, academics and students. The developments on contracts and moral rights will be of particular interest to lawyers outside continental Europe. |
No grāmatas satura
1.–5. rezultāts no 77.
ix. lappuse
... formats BBBBLE 79 79 80 81 81 PART II THE AUDIOVISUAL RECORDING 70 . Presentation 71. The. 69. Misappropriation of formats and unfair competition 83 7 Exemptions and permitted acts 208. Introduction 256 256 THE Contents ix.
... formats BBBBLE 79 79 80 81 81 PART II THE AUDIOVISUAL RECORDING 70 . Presentation 71. The. 69. Misappropriation of formats and unfair competition 83 7 Exemptions and permitted acts 208. Introduction 256 256 THE Contents ix.
xiv. lappuse
... exemptions and limitations at the international level 210. 7 Exemptions and permitted acts 208. Introduction 256 256 THE RIGHT TO BE IDENTIFIED AS AUTHOR OR DIRECTOR 269. xiv Contents.
... exemptions and limitations at the international level 210. 7 Exemptions and permitted acts 208. Introduction 256 256 THE RIGHT TO BE IDENTIFIED AS AUTHOR OR DIRECTOR 269. xiv Contents.
xv. lappuse
... EXEMPTIONS APPLICABLE TO FILM WORKS 263 263 264 266 268 269 218 . Introduction 269 219. Private copy 270 220 . Performance in restricted circles 272 221. Information purpose , criticism , review and news reporting 275 222. Parodies 276 ...
... EXEMPTIONS APPLICABLE TO FILM WORKS 263 263 264 266 268 269 218 . Introduction 269 219. Private copy 270 220 . Performance in restricted circles 272 221. Information purpose , criticism , review and news reporting 275 222. Parodies 276 ...
xvii. lappuse
... exemptions similar to copyright exemptions 324 292 . General limitations 324 293 . Case law on the right of integrity 325 294 . Colourisation 325 295 . Directions and artistic control 325 296. Editing and modifications of the film 326 ...
... exemptions similar to copyright exemptions 324 292 . General limitations 324 293 . Case law on the right of integrity 325 294 . Colourisation 325 295 . Directions and artistic control 325 296. Editing and modifications of the film 326 ...
xviii. lappuse
... rights 334. Limitations and exemptions 348 349 351 354 355 336. Ownership and transfers of exclusive rights 355 337. Recording. 335. Duration See, in particular, Council Directive 92/100/EEC of 19 November 1992 xviii Contents.
... rights 334. Limitations and exemptions 348 349 351 354 355 336. Ownership and transfers of exclusive rights 355 337. Recording. 335. Duration See, in particular, Council Directive 92/100/EEC of 19 November 1992 xviii Contents.
Saturs
1 | |
9 | |
3 Subsistence of copyright | 59 |
4 Authorship and initial ownership | 130 |
5 Copyright transfers and authorial rights | 173 |
6 Exclusive rights | 208 |
7 Exemptions and permitted acts | 256 |
8 Moral rights in films | 284 |
10 Protection of foreign film works | 365 |
A basic guide to the European Union | 386 |
Principal national copyright legislation | 391 |
EC copyright directives | 393 |
Status of the adherence of EU Member States to international copyright conventions | 394 |
US copyright relations with EU Member States | 400 |
Index | 403 |
9 Performers rights | 338 |
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
adaptation agreement appears apply artistic audiovisual authorise Berne Convention broadcasting organisations cinematograph film cinematographic co-authors collecting societies considered contract Copyright Act Copyright and Related copyright protection Court of Appeal Court of Cassation definition dramatic droit d’auteur duration economic rights equitable remuneration European Union exclusive right exemptions exploitation film authors film director film producer fixation France Geller eds Germany granted harmonisation images implemented Information Society infringement Intellectual Property Code licence limited literary M. B. Nimmer Member moral rights musical neighbouring rights original paras Paris Court person phonograms photographs presumption of assignment private copy provides regime Related Rights Act Rental Directive rental right reproduction Revue Dalloz RIDA right of integrity rightholders Rights Act 2000 Rome Convention rules Satellite script Section sound recording soundtrack specific statutory subject-matter television Term Directive tion Treaty Tribunal UK copyright underlying Universal Copyright Convention videogram WIPO WIPO Copyright Treaty