Film Copyright in the European UnionCambridge University Press, 2002. gada 20. jūn. - 431 lappuses Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on this subject, Pascal Kamina unravels the complexities of film protection in the fifteen member states of the European Union, giving special emphasis to the United Kingdom and France. As well as addressing key aspects of film copyright, Kamina also deals with the protection of film works within the European Union in the context of European harmonisation of copyright laws. He details the main features of the domestic legislations of EU member states, and identifies the difficulties awaiting a further harmonization of copyright and neighbouring rights in this field. This book will interest practitioners, academics and students. The developments on contracts and moral rights will be of particular interest to lawyers outside continental Europe. |
No grāmatas satura
1.–5. rezultāts no 86.
xiii. lappuse
... distribute the film 191 166. Other obligations of the film producer 192 167. Termination of licence / reversionary rights 168. Applicable law 193 193 SECTION II AUTHORIAL RIGHTS ( EQUITABLE REMUNERATION ) 169. The question of ...
... distribute the film 191 166. Other obligations of the film producer 192 167. Termination of licence / reversionary rights 168. Applicable law 193 193 SECTION II AUTHORIAL RIGHTS ( EQUITABLE REMUNERATION ) 169. The question of ...
xiv. lappuse
... distribution of film works in the UK and Ireland 197. The distribution of film works in authors ' rights countries 198. Public lending of films 243 245 247 SECTION V PROTECTION OF TECHNOLOGICAL MEASURES AND RIGHTS - MANAGEMENT ...
... distribution of film works in the UK and Ireland 197. The distribution of film works in authors ' rights countries 198. Public lending of films 243 245 247 SECTION V PROTECTION OF TECHNOLOGICAL MEASURES AND RIGHTS - MANAGEMENT ...
2. lappuse
... distribution for audiovisual works, such as video-on-demand or on-line delivery of films, which will probably meet with success in the coming years. Although the US industry is dominant in most of these markets and is likely to remain ...
... distribution for audiovisual works, such as video-on-demand or on-line delivery of films, which will probably meet with success in the coming years. Although the US industry is dominant in most of these markets and is likely to remain ...
4. lappuse
... distribution of revenues from the exploitation of film works. Finally, audiovisual works are now at the centre of the debate on moral rights, as evidenced by the legal and public interest over issues like film colourisation and ...
... distribution of revenues from the exploitation of film works. Finally, audiovisual works are now at the centre of the debate on moral rights, as evidenced by the legal and public interest over issues like film colourisation and ...
6. lappuse
... distributed on - line over the Internet or through dedicated networks with a quality comparable to tele- vision or video ... distribution , public performance , private copying , etc. ) have to be re - examined . This is undoubtedly the ...
... distributed on - line over the Internet or through dedicated networks with a quality comparable to tele- vision or video ... distribution , public performance , private copying , etc. ) have to be re - examined . This is undoubtedly the ...
Saturs
1 | |
9 | |
3 Subsistence of copyright | 59 |
4 Authorship and initial ownership | 130 |
5 Copyright transfers and authorial rights | 173 |
6 Exclusive rights | 208 |
7 Exemptions and permitted acts | 256 |
8 Moral rights in films | 284 |
10 Protection of foreign film works | 365 |
A basic guide to the European Union | 386 |
Principal national copyright legislation | 391 |
EC copyright directives | 393 |
Status of the adherence of EU Member States to international copyright conventions | 394 |
US copyright relations with EU Member States | 400 |
Index | 403 |
9 Performers rights | 338 |
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
adaptation agreement appears apply artistic audiovisual authorise Berne Convention broadcasting organisations cinematograph film cinematographic co-authors collecting societies considered contract Copyright Act Copyright and Related copyright protection Court of Appeal Court of Cassation definition dramatic droit d’auteur duration economic rights equitable remuneration European Union exclusive right exemptions exploitation film authors film director film producer fixation France Geller eds Germany granted harmonisation images implemented Information Society infringement Intellectual Property Code licence limited literary M. B. Nimmer Member moral rights musical neighbouring rights original paras Paris Court person phonograms photographs presumption of assignment private copy provides regime Related Rights Act Rental Directive rental right reproduction Revue Dalloz RIDA right of integrity rightholders Rights Act 2000 Rome Convention rules Satellite script Section sound recording soundtrack specific statutory subject-matter television Term Directive tion Treaty Tribunal UK copyright underlying Universal Copyright Convention videogram WIPO WIPO Copyright Treaty