Film Copyright in the European UnionCambridge University Press, 2002. gada 20. jūn. - 431 lappuses Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on this subject, Pascal Kamina unravels the complexities of film protection in the fifteen member states of the European Union, giving special emphasis to the United Kingdom and France. As well as addressing key aspects of film copyright, Kamina also deals with the protection of film works within the European Union in the context of European harmonisation of copyright laws. He details the main features of the domestic legislations of EU member states, and identifies the difficulties awaiting a further harmonization of copyright and neighbouring rights in this field. This book will interest practitioners, academics and students. The developments on contracts and moral rights will be of particular interest to lawyers outside continental Europe. |
No grāmatas satura
1.–5. rezultāts no 43.
3. lappuse
... distinct from their recordings or other manifestations. In contrast, un- der present UK copyright law, the protected subject-matter is the vi- sual recording,13 irrespective of any condition of originality; in addition, broadcasts and ...
... distinct from their recordings or other manifestations. In contrast, un- der present UK copyright law, the protected subject-matter is the vi- sual recording,13 irrespective of any condition of originality; in addition, broadcasts and ...
12. lappuse
... distinct from the script and fixed in film form only, from being protected under the 1833 Act to the extent it was capable of being so printed and published.24 But as far as the 1842 Act is concerned, the author of a dramatic work had ...
... distinct from the script and fixed in film form only, from being protected under the 1833 Act to the extent it was capable of being so printed and published.24 But as far as the 1842 Act is concerned, the author of a dramatic work had ...
19. lappuse
... distinct from their script . This distinction . is made clear in the final report of the Conference : We have just seen the cinematograph being used for purposes of reproduction or adaptation . It can also serve to give form to a ...
... distinct from their script . This distinction . is made clear in the final report of the Conference : We have just seen the cinematograph being used for purposes of reproduction or adaptation . It can also serve to give form to a ...
23. lappuse
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
25. lappuse
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Saturs
1 | |
9 | |
3 Subsistence of copyright | 59 |
4 Authorship and initial ownership | 130 |
5 Copyright transfers and authorial rights | 173 |
6 Exclusive rights | 208 |
7 Exemptions and permitted acts | 256 |
8 Moral rights in films | 284 |
10 Protection of foreign film works | 365 |
A basic guide to the European Union | 386 |
Principal national copyright legislation | 391 |
EC copyright directives | 393 |
Status of the adherence of EU Member States to international copyright conventions | 394 |
US copyright relations with EU Member States | 400 |
Index | 403 |
9 Performers rights | 338 |
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
adaptation agreement appears apply artistic audiovisual authorise Berne Convention broadcasting organisations cinematograph film cinematographic co-authors collecting societies considered contract Copyright Act Copyright and Related copyright protection Court of Appeal Court of Cassation definition dramatic droit d’auteur duration economic rights equitable remuneration European Union exclusive right exemptions exploitation film authors film director film producer fixation France Geller eds Germany granted harmonisation images implemented Information Society infringement Intellectual Property Code licence limited literary M. B. Nimmer Member moral rights musical neighbouring rights original paras Paris Court person phonograms photographs presumption of assignment private copy provides regime Related Rights Act Rental Directive rental right reproduction Revue Dalloz RIDA right of integrity rightholders Rights Act 2000 Rome Convention rules Satellite script Section sound recording soundtrack specific statutory subject-matter television Term Directive tion Treaty Tribunal UK copyright underlying Universal Copyright Convention videogram WIPO WIPO Copyright Treaty