Music Licensing and Small Business: Hearing Before the Committee on Small Business, House of Representatives, One Hundred Fourth Congress, Second Session, Washington, DC, May 8, 1996, 4. sējumsU.S. Government Printing Office, 1997 - 257 lappuses |
No grāmatas satura
1.–5. rezultāts no 31.
3. lappuse
... writers and publishers of music know when business es- tablishments across the country are playing their music ? I'm told that only 3 percent of music users volunteer to license copyrighted music . The other 97 percent of music users ...
... writers and publishers of music know when business es- tablishments across the country are playing their music ? I'm told that only 3 percent of music users volunteer to license copyrighted music . The other 97 percent of music users ...
4. lappuse
... writer . The property rights organizations presently provide information via computers , the Internet , PC Modem , 800 telephone numbers , and by mail upon request . BMI also has its repertoire on CD Rom . ASCAP , I'm told , is in the ...
... writer . The property rights organizations presently provide information via computers , the Internet , PC Modem , 800 telephone numbers , and by mail upon request . BMI also has its repertoire on CD Rom . ASCAP , I'm told , is in the ...
10. lappuse
... writers of this country , they certainly have the right to collect royalties ; but the question is : How many times can they collect for playing the same song ? My only eye - opening introduction to music licensing came in my very first ...
... writers of this country , they certainly have the right to collect royalties ; but the question is : How many times can they collect for playing the same song ? My only eye - opening introduction to music licensing came in my very first ...
12. lappuse
... writers to help me earn my living . I don't have a staff and I don't have a secretary . I don't have a factory . If I'm not able to go to work on a particular day , there isn't anybody to substitute for me . The intangible product that ...
... writers to help me earn my living . I don't have a staff and I don't have a secretary . I don't have a factory . If I'm not able to go to work on a particular day , there isn't anybody to substitute for me . The intangible product that ...
29. lappuse
... writer , eventually after some success you become affiliated with a publisher so that normally any song you write would be turned over to the publisher . If we proceed to promote it , as you're saying , to Garth Brooks , we would indeed ...
... writer , eventually after some success you become affiliated with a publisher so that normally any song you write would be turned over to the publisher . If we proceed to promote it , as you're saying , to Garth Brooks , we would indeed ...
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ALGER amended antitrust arbitration ASCAP and BMI ASCAP repertory background music Barba BERENSON Berne Convention bill blanket license BMI and SESAC Broadcast Music Chair MEYERS Congress consent decrees copyright law copyright owner copyrighted music cost disputes Dixville Notch entertainment Epperson exempt Fairness in Musical hearing incidental infringement intellectual property issue Jim Sensenbrenner LAFALCE lawsuit legislation Licensed Beverage Association Madam Chair motion picture music licensing organizations music licensing societies music publishers music users musical compositions Musical Licensing Act National Football League National Licensed Beverage National Religious Broadcasters National Restaurant Association negotiate NLBA paid Pat Alger percent performance or display performing rights organizations performing rights society play program license public performance radio stations Religious Broadcasters representatives request restaurateurs retail royalties Sensenbrenner SESAC small business owners Society of Composers songs songwriters TAVENNER television Th F Thank there's tion York ZELIFF