Music Licensing and Small Business: Hearing Before the Committee on Small Business, House of Representatives, One Hundred Fourth Congress, Second Session, Washington, DC, May 8, 1996, 4. sējumsU.S. Government Printing Office, 1997 - 257 lappuses |
No grāmatas satura
1.–5. rezultāts no 32.
7. lappuse
... compositions in this day and age without some enforcement organization like them . From 1897 when copyright owners first got the right to con- trol public performances until 1914 , it was effectively impossible for copyright owners to ...
... compositions in this day and age without some enforcement organization like them . From 1897 when copyright owners first got the right to con- trol public performances until 1914 , it was effectively impossible for copyright owners to ...
16. lappuse
... composition is no different than that of any sort of tangible property that one can see or touch and merits the same degree of property protection . The songwriter relies on public performance royalties for his or her livelihood . To ...
... composition is no different than that of any sort of tangible property that one can see or touch and merits the same degree of property protection . The songwriter relies on public performance royalties for his or her livelihood . To ...
29. lappuse
... compositions are in our repertoire . The restaurateurs were saying that this was something that they had to have . BMI kept track of the number of calls we received from restaurateurs calling to find out what was in the BMI repertoire ...
... compositions are in our repertoire . The restaurateurs were saying that this was something that they had to have . BMI kept track of the number of calls we received from restaurateurs calling to find out what was in the BMI repertoire ...
30. lappuse
... compositions take a while to be put on the system is , as Congressman Bono said , first the music is created , it is then published , and then it has to be put in BMI's repertoire . We have to receive notification of it to put it on our ...
... compositions take a while to be put on the system is , as Congressman Bono said , first the music is created , it is then published , and then it has to be put in BMI's repertoire . We have to receive notification of it to put it on our ...
70. lappuse
... composition ( intellectual property ) is no different than that of any sort of tangible property that one can see or touch and merits the very same degree of property protection . When a songwriter creates a musical work , he or she ...
... composition ( intellectual property ) is no different than that of any sort of tangible property that one can see or touch and merits the very same degree of property protection . When a songwriter creates a musical work , he or she ...
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ALGER amended antitrust arbitration ASCAP and BMI ASCAP repertory background music Barba BERENSON Berne Convention bill blanket license BMI and SESAC Broadcast Music Chair MEYERS Congress consent decrees copyright law copyright owner copyrighted music cost disputes Dixville Notch entertainment Epperson exempt Fairness in Musical hearing incidental infringement intellectual property issue Jim Sensenbrenner LAFALCE lawsuit legislation Licensed Beverage Association Madam Chair motion picture music licensing organizations music licensing societies music publishers music users musical compositions Musical Licensing Act National Football League National Licensed Beverage National Religious Broadcasters National Restaurant Association negotiate NLBA paid Pat Alger percent performance or display performing rights organizations performing rights society play program license public performance radio stations Religious Broadcasters representatives request restaurateurs retail royalties Sensenbrenner SESAC small business owners Society of Composers songs songwriters TAVENNER television Th F Thank there's tion York ZELIFF