The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 100.
4. lappuse
... writer has in mind no clearly defined central theme , no definite " event , " his narrative will be char- acterized by indefiniteness , by seemingly unrelated digressions , by apparent want of purpose . And , 4 RHETORICAL PRINCIPLES OF ...
... writer has in mind no clearly defined central theme , no definite " event , " his narrative will be char- acterized by indefiniteness , by seemingly unrelated digressions , by apparent want of purpose . And , 4 RHETORICAL PRINCIPLES OF ...
6. lappuse
... writer , in grouping his discus- sion under various " periods , " is unconsciously marshal- ing the various details into the proper array to render effective his narrative treatment . In this case , as in the case of the historian , he ...
... writer , in grouping his discus- sion under various " periods , " is unconsciously marshal- ing the various details into the proper array to render effective his narrative treatment . In this case , as in the case of the historian , he ...
8. lappuse
... writer means by the term . The entire work from which the paragraph is selected , The American Commonwealth itself , presents a more complete and typical example of the expository method . It is , in fact , but an elucidation of the ...
... writer means by the term . The entire work from which the paragraph is selected , The American Commonwealth itself , presents a more complete and typical example of the expository method . It is , in fact , but an elucidation of the ...
10. lappuse
... writer's ulti- mate purpose is not to tell a story about a mountain- lake ; rather it is to elucidate the geologic process of lake formation , and for this elucidation he chooses the narra- tive form for its greater dramatic effect ...
... writer's ulti- mate purpose is not to tell a story about a mountain- lake ; rather it is to elucidate the geologic process of lake formation , and for this elucidation he chooses the narra- tive form for its greater dramatic effect ...
13. lappuse
... writer is narrating his own experiences or spinning a yarn of adventure in search of treasure hidden in some imagin- ary island in the Spanish Main ; whether he is picturing the house of his neighbor across the way or essaying to phrase ...
... writer is narrating his own experiences or spinning a yarn of adventure in search of treasure hidden in some imagin- ary island in the Spanish Main ; whether he is picturing the house of his neighbor across the way or essaying to phrase ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic atmosphere attitude background biography chapter character characterization chronicle clear climax close coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device Dickens distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin Genappe George Eliot Haman hand historian illustration individual interest James Lane Allen James Moore King literature local color Macaulay Marjorie Daw Martin Chuzzlewit matter method Mordecai Naaman narration narrative writing nature novel occurrence paragraph passage personage personality picture plot structure point of view portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story subordinate successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
Populāri fragmenti
109. lappuse - AWAKE, my soul, and with the sun Thy daily stage of duty run ; Shake off dull sloth, and joyful rise To pay thy morning sacrifice.
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25. lappuse - And he arose and came to his father. But when he was yet a great way off his father saw him and had compassion and ran and fell on his neck and kissed him. And the son said unto him, ' Father, I have sinned against heaven and in thy sight and am no more worthy to be called thy son.
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34. lappuse - Then was committed that great crime, memorable for its singular atrocity, memorable for the tremendous retribution by which it was followed. The English captives were left to the mercy of the guards, and the guards determined to secure them for the night in the prison of the garrison, a chamber known by the fearful name of the Black Hole. Even for a single European malefactor, that dungeon would, in such a climate, have been too close and narrow.
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