The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
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. lappuse
Carroll Lewis Maxcy. 9279.86 A SHORT STORY COLLECTION WINWARD PRESCOTT brary DTT THE RHETORICAL PRINCIPLES OF NARRATION BY CARROLL LEWIS MAXCY ,
Carroll Lewis Maxcy. 9279.86 A SHORT STORY COLLECTION WINWARD PRESCOTT brary DTT THE RHETORICAL PRINCIPLES OF NARRATION BY CARROLL LEWIS MAXCY ,
i. lappuse
Carroll Lewis Maxcy. THE RHETORICAL PRINCIPLES OF NARRATION BY CARROLL LEWIS MAXCY , M. A. Morris Professor of Rhetoric in Williams College Cout bien ou Ghe Riverside Press BOSTON NEW YORK CHICAGO HOUGHTON MIFFLIN COMPANY The Riverside ...
Carroll Lewis Maxcy. THE RHETORICAL PRINCIPLES OF NARRATION BY CARROLL LEWIS MAXCY , M. A. Morris Professor of Rhetoric in Williams College Cout bien ou Ghe Riverside Press BOSTON NEW YORK CHICAGO HOUGHTON MIFFLIN COMPANY The Riverside ...
ix. lappuse
... principles of narrative composi- tion , not to prepare another manual on the novel and the short - story ; that has already been done often and well . It has seemed , however , that there might be a place for examining the broader field ...
... principles of narrative composi- tion , not to prepare another manual on the novel and the short - story ; that has already been done often and well . It has seemed , however , that there might be a place for examining the broader field ...
xiii. lappuse
... and generous assistance in preparing this work for publication . WILLIAMS COLLEGE WILLIAMSTOWN , MASSACHUSETTS April 22 , 1911 C. L. M. 1 } THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION INTRODUCTION xiii.
... and generous assistance in preparing this work for publication . WILLIAMS COLLEGE WILLIAMSTOWN , MASSACHUSETTS April 22 , 1911 C. L. M. 1 } THE RHETORICAL PRINCIPLES OF NARRATION CHAPTER I DEFINITION INTRODUCTION xiii.
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acter action actors Adam Bede already appear artistic atmosphere attitude background biography chapter character characterization chronicle clear climax close coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device Dickens distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin Genappe George Eliot Haman hand historian illustration individual interest James Lane Allen James Moore King literature local color Macaulay Marjorie Daw Martin Chuzzlewit matter method Mordecai Naaman narration narrative writing nature novel occurrence paragraph passage personage personality picture plot structure point of view portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story subordinate successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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109. lappuse - AWAKE, my soul, and with the sun Thy daily stage of duty run ; Shake off dull sloth, and joyful rise To pay thy morning sacrifice.
25. lappuse - And he said unto him, Thy brother is come ; and thy father hath killed the fatted calf, because he hath received him safe and sound.
25. lappuse - And he arose and came to his father. But when he was yet a great way off his father saw him and had compassion and ran and fell on his neck and kissed him. And the son said unto him, ' Father, I have sinned against heaven and in thy sight and am no more worthy to be called thy son.
24. lappuse - And he said, A certain man had two sons : And the younger of them said to his father, Father, give me the. portion of goods that falleth to me.
39. lappuse - And Reuben returned unto the pit ; and, behold, Joseph was not in the pit ; and he rent his clothes. And he returned unto his brethren, and said, The child is not...
108. lappuse - He started to his feet with the intention of awakening the sleepers, for there was no time to lose. But turning to where Uncle Billy had been lying, he found him gone. A suspicion leaped to his brain and a curse to his lips. He ran to the spot where the mules had been tethered ; they were no longer there. The tracks were already rapidly disappearing in the snow. The momentary excitement brought Mr.
226. lappuse - Then came those days, never to be recalled without a blush, the days of servitude without loyalty and sensuality without love, of dwarfish talents and gigantic vices, the paradise of cold hearts and narrow minds, the golden age of the coward, the bigot, and the slave.
25. lappuse - And he said unto him ; Son, thou art ever with me, and all that I have is thine. It was meet that we should make merry and be glad, for this thy brother was dead, and is alive again ; and was lost, and is found.
34. lappuse - Then was committed that great crime, memorable for its singular atrocity, memorable for the tremendous retribution by which it was followed. The English captives were left to the mercy of the guards, and the guards determined to secure them for the night in the prison of the garrison, a chamber known by the fearful name of the Black Hole. Even for a single European malefactor, that dungeon would, in such a climate, have been too close and narrow.
25. lappuse - And he answering said to his father, Lo, these many years do I serve thee, neither transgressed I at any time thy commandment : and yet thou never gavest me a kid, that I might make merry with my friends : but as soon as this thy son was come, which hath devoured thy living with harlots, thou hast killed for him the fatted calf.