The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 31.
vi. lappuse
... • . 183 • . 188 ( c ) Point of View in Plot Structure 193 • Coherence • . 199 Climax . 201 ( a ) The Method of Chronicle . 203 Unity ( a ) Definition of Plot Unity . ( b ) Unity in Complication ( b ) The Method of Drama ( the ) vi CONTENTS.
... • . 183 • . 188 ( c ) Point of View in Plot Structure 193 • Coherence • . 199 Climax . 201 ( a ) The Method of Chronicle . 203 Unity ( a ) Definition of Plot Unity . ( b ) Unity in Complication ( b ) The Method of Drama ( the ) vi CONTENTS.
12. lappuse
... chronicle the details that constitute the event in ques- tion , one does not hesitate to class it as narration . And as the passage from Muir , although seemingly specific in application , is in reality general ; as , although it seems ...
... chronicle the details that constitute the event in ques- tion , one does not hesitate to class it as narration . And as the passage from Muir , although seemingly specific in application , is in reality general ; as , although it seems ...
16. lappuse
... , just as Erskine could make his proof more 1 Stevenson's Dr. Jekyll and Mr. Hyde . By permission of Charles Scribner's Sons . convincing by throwing it into the form of chronicle , 16 RHETORICAL PRINCIPLES OF NARRATION.
... , just as Erskine could make his proof more 1 Stevenson's Dr. Jekyll and Mr. Hyde . By permission of Charles Scribner's Sons . convincing by throwing it into the form of chronicle , 16 RHETORICAL PRINCIPLES OF NARRATION.
17. lappuse
Carroll Lewis Maxcy. convincing by throwing it into the form of chronicle , so Dickens , in developing the thought that the scene about the grindstone was a mad orgy of savagery and passion , conceived of the picture as a transaction and ...
Carroll Lewis Maxcy. convincing by throwing it into the form of chronicle , so Dickens , in developing the thought that the scene about the grindstone was a mad orgy of savagery and passion , conceived of the picture as a transaction and ...
55. lappuse
... chronicle . Details that in one case may possess the dynamic quality may in an- other be wholly sedative . In a story like The Great Stone Face the simple episodes of Mr. Gathergold's return , old Blood - and - Thunder's visit , and the ...
... chronicle . Details that in one case may possess the dynamic quality may in an- other be wholly sedative . In a story like The Great Stone Face the simple episodes of Mr. Gathergold's return , old Blood - and - Thunder's visit , and the ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic atmosphere attitude background biography chapter character characterization chronicle clear climax close coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device Dickens distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin Genappe George Eliot Haman hand historian illustration individual interest James Lane Allen James Moore King literature local color Macaulay Marjorie Daw Martin Chuzzlewit matter method Mordecai Naaman narration narrative writing nature novel occurrence paragraph passage personage personality picture plot structure point of view portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story subordinate successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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