ShakespearePrentice Hall, Harvester Wheatsheaf, 1995 - 165 lappuses This text mounts a challenge to orthodox and oppositional critics who continue to regard Shakespearian drama as conservative in intent or effect. |
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138. lappuse
... Appropriating Shakespeare : Con- temporary Critical Quarrels ( New Haven and London , 1993 ) . 5. Longhurst , " " Not for all time , but for an age " , p . 151 . 6. Christopher Norris , ' Post - structuralist Shakespeare : text and ideo ...
... Appropriating Shakespeare : Con- temporary Critical Quarrels ( New Haven and London , 1993 ) . 5. Longhurst , " " Not for all time , but for an age " , p . 151 . 6. Christopher Norris , ' Post - structuralist Shakespeare : text and ideo ...
159. lappuse
... Appropriating Shakespeare : Contemporary Critical Quar- rels , Yale University Press ( New Haven and London , 1993 ) . Waller , Gary ( ed . ) , Shakespeare's Comedies , Longman ( London and New York , 1991 ) . Wayne , Valerie ( ed ...
... Appropriating Shakespeare : Contemporary Critical Quar- rels , Yale University Press ( New Haven and London , 1993 ) . Waller , Gary ( ed . ) , Shakespeare's Comedies , Longman ( London and New York , 1991 ) . Wayne , Valerie ( ed ...
Saturs
1 and 2 Henry IV | 40 |
the subversive imagination | 70 |
the utopian | 106 |
Autortiesības | |
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Shakespeare, 1564-1964: A Collection of Modern Essays by Various Hands Brown University,Edward Alan Bloom Priekšskatījums nav pieejams - 1964 |
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2nd edn actual Alternative audience authority become Chapter comedies common conventional criticism cultural Deconstruction desire difference Dollimore drama effect Elizabethan English English Studies Essays experience fact future gender give Hamlet Henry Henry IV human Ibid identity ideology imagination interpretation Jameson John kind King Lear language less Literary literature lives London Macbeth Manchester Marxism meaning Merchant of Venice misogyny moral narrative nature once opening original Othello Oxford past perspective Peter play play's Political possible practice present production Prospero question radical reading reality recent Renaissance revised role romances Romeo and Juliet ruled scene sense sexual Shake Shakespeare Shylock Sinfield social society speech stage structure Tempest theatre Theory things thou tion Tradition tragedy tragic turn universal values vision voice women York York and London
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Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early ... Jonathan Gil Harris Priekšskatījums nav pieejams - 1998 |