And with them beats back Error, clad in mists. And see! descended from her chariot now, Enter TRUTH. Truth. Honor to all that honor nuptials, To whose fair lot, in justice, now it falls, That this my counterfeit be here disclosed, Who, for virginity, hath herself opposed. Nor though my brightness do undo her charms, Let these her knights think, that their equal arms Are wrong'd therein: For valor wins applause, That in Truth's forced robe, for Truth hath gone! And, champions, since you see the truth I held, This royal judge of our contention To shew, his piercing splendor: these bright keys Designing power to ope the ported skies, true: And truth in him make treason ever rue. With this they were led forth, hand in hand, reconciled, as in triumph. And thus the solemnities ended. Vivite concordes, et nostrum diseite munte THE HUE AND CRY AFTER CUPID THE worthy custom of honoring worthy marriages, with these noble solemnities, hath of late years advanced itself frequently with us; to the reputation no less of our court, than nobles; expressing besides (through the difficulties of expense and travel, with the cheerfulness of undertaking) a most real affection in the personaters, to those, for whose sake they would sustain these persons. It behoves then us, that are trusted with a part of their honor in these celebrations, to do nothing in them beneath the dignity of either. With this proposed part of judgment, I adventure to give that abroad, which in my first conception I intended honorably fit: and, though it hath labor'd since, under censure, I, that know truth to be always of one stature, and so like a rule, as who bends it the least way, must needs do ar injury to the right, cannot but smile at their tyrannous ignorance, that will offer to slight me (in these things being an artificer) and give themselves a peremptory license to judge who have never touched so much as to the bark, or utter shell of any knowledge. But their daring dwell with them. They have found a place to pour out their follies; and I a seat, to sleep out the passage. The scene to this Masque, was a high, steep, red cliff, advancing itself into the clouds, figuring the place, from whence (as I have been, not fabulously, informed) the honorable family of the Radcliffs first took their name, a clivo rubro, and is to be written with that orthography; as I have observed out of master Camden, in his mention of the earls of Sussex. This cliff was also a note of height, greatness, and antiquity. Before which, on the two sides, were erected two pilasters, charged with spoils and trophies of Love and his mother, consecrate to marriage: amongst which, were old and young persons figured, bound with roses, the wedding garments, rocks and spindles, hearts transfixed with arrows, others flaming, virgins' girdles, garlands, and worlds of such like; all wrought round and bold and over head two personages, Triumph and Victory, in flying postures, and twice so big as the life, in place of the arch, and holding a garland of myrtle for the key. All which, with the pillars, seemed to be of burnished gold, and embossed out of the metal. Beyond the cliff was seen nothing but clouds, thick, and obscure; till on the sudden, with a solemn music, a bright sky breaking forth, there were discovered first two doves,' then two swans' with silver geers, drawing forth a triumphant chariot; in which Venus sat, crowned with her star, and beneath her the three Graces, or Charites, Aglaia, Thalia, Euphrosyne, all attired according to their antique figures. These, from their chariot, alighted on the top of the cliff, and descending by certain abrupt and winding passages, Venus having left her star only flaming in her seat, came to the earth, the Graces throwing garlands all the way, and began to speak. Ven. It is no common cause, ye will conceive, My lovely Graces, makes your goddess leave Her state in heaven, to-night, to visit earth. Love late is fled away, my eldest birth, Cupid, whom I did joy to call my son; And, whom long absent, Venus is undone. Spy, if you can, his footsteps on this green; For here, as I am told, he late hath been, With divers of his brethren, lending light 1 Both doves and swans were sacred to this goddess, and As well with the one as the other, her chariot is induced by Ovid, lib. 10 and 11 Metamor. Alluding to the Loves (the torch-bearers) in the Queen's Masque before. From their best flames, to gild a glorious night; 2 Gra. Nor I. 3 Gra. Nor L. To be so timely rid of such a guest. Almost naked, wanton, blind; 2 Grace. She that will but now discover 3 Grace. He hath marks about him plenty : And his breath a flame entire, 1 Grace. At his sight, the sun hath turn'd," 3 In this Love, I express Cupid, as he is Veneris filu and owner of the following qualities, ascribed him by the antique and later poets. 4 See Lucian. Dial. Deor. 2 Grace. Wings he hath, which though ye clip, He will leap from lip to lip, Over liver, lights, and heart, And, if chance his arrow misses, 2 Grace. Trust him not; his words, though sweet, Not a kiss but poison bears; And most treason in his tears. 3 Grace. Idle minutes are his reign; 1 Grace. If by these ye please to know him, 2 Grace. Though ye had a will to hide him, Now, we hope, ye'll not abide him. 3 Grace. Since you hear his falser play; And that he's Venus' runaway. At this, from behind the trophies, CUPID discovered himself, and came forth armed; attended with twelve boys, most antickly attired, that represented the Sports, and pretty Lightnesses that accompany Love, under the titles of Joci and Risus; and are said to wait on Venus, as she is Præfect of Marriage.3 Cup. Come, my little jocund Sports, Come away; the time now sorts With your pastime this same night Is Cupid's day. Advance your light. With your revel fill the room, That our triumphs be not dumb. Wherewith they fell into a subtle capricious dance, to as odd a music, each of them bearing two torches, and nodding with their antic faces, Cup. Well done anticks! now my bow, At which, his mother apprehended him and circling him in, with the Graces, began to demand. Ven. What feat, what honor is it that you boast, My little straggler? I had given you lost, With all your games, here. Cup. Mother! Ven. Yes, sir, she. What might your glorious cause of triumph. be Cup. Nor that, nor those, and yet no less a wonder [He espies HYMEN. Which to tell, I may not stay: Hymen's presence bids away; 'Tis, already, at his night, He can give you further light. You, my Sports, may here abide, Till I call to light the bride. Enter HYMEN. [Slips from her. 4 She urges these as miracles, because Pallas, and the Muses, are most contrary to Cupid. See Luc. Dial. Ven. et Cupid. place, makes to have fallen franticly in love by Cupid's means, with Atys. So of the Moon, with Endymion, Hercules, &c. 5 Rhea, the mother of the gods, whom Lucian, in that Here Hymen, the god of marriage, entered; and was sc induced here, as you have him described in my Hymenæi. 7 When she is nuptiis præfecta, with Juno, Suadela. Diana, and Jupiter himself. Paus. in Messeniac. et Plut. in Problem. 8 Æneas, the son of Venus, Virgil makes throughout, the most exquisite pattern of piety, justice, prudence, and all other princely virtues, with whom (in way of that excellence) I confer my sovereign, applying in his description his own word usurped of that poet, Parcere subjectis, et debel lare superbos That is so just to his great act, and thought, Who, out of piety, unto peace is vow'd, To-day renown'd, and added to my roll," Her love to his safety, than when she did cheer, After a tempest,3 long-afflicted Troy, Upon the Lybian shore; and brought them joy. Ven. I love, and know his virtues, and do boast Mine own renown, when I renown him most. My Cupid's absence I forgive, and praise, That me to such a present grace could raise. His champion shall, hereafter, be my care: But speak his bride, and what her virtues are. Hy. She is a noble virgin, styled, The Maid Of the Red-cliff, and hath her dowry weigh'd No less in virtue, blood, and form, than gold; Thence, where my pillar's rear'd, you may behold, [name. Fill'd with love's trophies, doth she take her Those pillars did uxorious Vulcan frame, Against this day, and underneath that hill, He, and his Cyclopes, are forging still [night, Some strange and curious piece, to adorn the And give these graced nuptials greater light. Here VULCAN presented himself, as overhearing Hymen, attired in a cassock girt to him, with bare arms, his hair and beard rough; his hat of blue, and ending in a cone; in his hand a hammer and tongs, as coming from the forge. Vul. Which I have done; the best of all my life; And have my end, if it but please my wife, And she commend it, to the labor'd worth. Cleave, solid rock! and bring the wonder forth. At which with a loud and full music, the cliff parted in the midst, and discovered an illustrious concave, filled with an ample and glistering light, in which an artificial sphere was made of silver, eighteen foot in the diameter, that turned perpetually: the coluri were heightened with gold; so were the arctic and antarctic circles, The ancient poets, whensoever they would intend any thing to be done with great mastery, or excellent art, made Vulcan the artificer, as Hom. II E. in the forging of Achilles's armor, and Virg. for Æneas, Eneid. 8. He is also said to be the god of fire and light. Sometime taken for the purest beam and by Orph. in Hym. celebrated for he sun and moon. But more especially by Eurip. in Troad. he is made Facifer in Nuptiis. Which present office we give him here, as being Calor Naturæ, and Præses Luminis. See Plat. in Cratyl. For s description, read Pausan. in Eliac. the tropics, the equinoctial, the meridian and horizon; only the zodiac was of pure gold: in which the masquers, under the characters of the twelve signs, were placed, answering them in number; whose offices, with the whole frame, as it turned, Vulcan went forward to describe. It is a sphere, I've formed round and even, With all his lines and circles; that compose In due proportion to the sphere of heaven, The perfect'st form, and aptly do disclose The heaven of marriage: which I title it : Within whose zodiac, I have made to sit, In order of the signs, twelve sacred powers, That are presiding at all nuptials hours: The first, in Aries' place, respecteth pride In Gemini, that noble power is shown, one. In Cancer, he that bids the wife give way With backward yielding to her husband's sway. In Leo, he that doth instil the heat The Scorpion's place he fills, that makes the jars, And stings in wedlock; little strifes and wars: Which he, in th' Archer's throne, doth soon flove remove, By making, with his shafts, new wounds of And those the follower with more heat inspires As, in the Goat, the sun renews his fires. Fertility upon the genial bowers. In wet Aquarius' stead, reigns he that showers Last, in the Fishes place, sits he doth say, In married joys, all should be dumb as they. And this hath Vulcan for his Venus done, To grace the chaster triumph of her son. Ven. And for this gift, will I to heaven return, And vow for ever, that my lamp shall burn With pure and chastest fire; or never shine, But when it mixeth with thy sphere and mine. Here Venus returned to her chariot, with the Graces; while Vulcan, calling out the priests of Hymen, who were the musicians, was inter rupted by PYRACMON. Vul. Sing then, ye priests. Pyrac. Stay, Vulcan, shall not these Come forth and dance? As Catul. hath it in nup. Jul. et Manl. without Hymen, which is marriage, Nil potest Venus, fama quod bona comprobet, &c. 6 One of the Cyclops, of whom, with the other two Brontes and Steropes, seo Virg. Æneid. Ferrum exercebant vasto Clyclopes in antro, Brontesque, Steropesque et nudus membra Pyraemon &c Vul. Yes, my Pyracmon, please The eyes of these spectators with our art.1 Pyrac. Come here then, Brontes, bear a Cy clop's part, And Steropes, both with your sledges stand, In musical and sweet proportion'd graces; Here the musicians, attired in yellow, with wreaths of marjoram, and veils like Hymen's priests, sung the first staff of the following Epithalamion: which, because it was sung in pieces between the dances, shewed to be so many several songs; but was made to be read an entire poem. After the song, they came (descending in an oblique motion) from the Zodiac, and danced their first dance; then music interposed, (but varied with voices, only keeping the same chorus) they danced their second dance. So after, their third and fourth dances, which were all full of elegancy and curious device. And thus it ended.2 EPITHALAMION. Up, youths and virgins, up, and praise The god, whose nights outshine his days; Hymen, whose hallowed rites Could never boast of brighter lights; Whose bands pass liberty. 1 As when Hom. Iliad. E, makes Thetis for her son Achilles, to visit Vulcan's house, he feigns that Vulcan had made twenty tripods, or stools with golden wheels, to move of themselves miraculously, and go out and return fitly. To which the invention of our dance alludes, and is in the poet a most elegant place, and worthy the tenth reading. 2 The two latter dances were made by master Thomas Giles, the two first by master Hier. Herne: who, in the persons of the two Cyclopes, beat a time to them with their hammers. The tunes were master Alphonso Ferrabosco's. The device and act of the scene master Inigo Jones's, with addition of the trophies. For the invention of the whole, and the verses, Assertor qui dicat esse meos, imponet plagiario pudorem. The attire of the masquers throughout was most graceful and noble; partaking of the best both ancient and later figure. The colors carnation and silver, enriched both with embroidery and lace. The dressing of their heads, feathers and jewels; and so excellently ordered to the rest of the habit, as all would suffer under any description, after the shew. Their performance of all, so magnificent and illustrious, that nothing can add to the seal of it, but the subscription of their names: |