Meer. Hark, the poor gentleman, how he is tormented! Fitz. My wife is a whore, I'll kiss her no more: and why? May'st not thou be a cuckold as well as 1? Ha, ha, ha, ha, ha, ha, ha! Sir P. Eith. That is the devil speaks and laughs in him. Meer. Do you think so, sir? Sir P. Eith. I discharge my conscience. Wherever he put his head, with a wannion, Meer. How he foams! Ever. And swells! [wis. [belly? Lady T. O me, what's that there rises in his Sir P. Eith. 'Tis too apparent this! Enter WITTIPOL, MANLY, and Mrs. FITZDOTTREL. Wit. The cockscomb and the coverlet. That these should come to face their sin! Justice! they are the parties, sir. Sir P. Eith. Say, nothing. Meer. Did you mark, sir, upon their coming in, How he call'd Wittipol? Ever. And never saw them. [play awhile. Sir P. Eith. I warrant you did I: let them Fitz. Buz, buz, buz, buz! Lady T. 'Las, poor gentleman, How he is tortured! [trel! And poets too: you heard him talk in rhyme, I had forgot to observe it to you, erewhile! Lady T. See, he spits fire! Sir P. Eith. O no, he plays at figgum; All innocence of man to be endanger'd, Fitz. O they whisper, whisper, whisper, Lady E. Alas, poor gentleman! Man. Are you phrenetic, sir? Or what grave dotage moves you to take part Man. Will you so, sir? Sir P. Eith. Yes, they are palpable. Man. Not as your folly. [conclude Sir P. Eith. I will discharge my conscience, To the meridian of justice. Gilt. You do well, sir. [and do all, Let's break his neck in jest, the devil says. Meer. What! would the devil borrow money? Sir P. Eith. It is the devil, by his several languages. Put me upon it. (I have faith against him.) bellows, And my false belly, and my mouse, and all Man. Sir, are you not ashamed Sir P. Eith. I will make honorable amends to Man. Sir, you belie her: she is chaste and And make amends for your late rashness: when You shall but hear the pains, and care was taken Enter SHACKLES, with the things found on the body To save this fool from ruin, his Grace of of the Cut-purse. Shack. Where's sir Paul Eitherside? Sir P. Eith. Here; what's the matter? A great piece of the prison is rent down! [him. Drown'd-land Fitz. My land is drown'd indeed Sir P. Eith. Peace. Man. And how much His modest and too worthy wife hath suffer'd Shack. I think he was committed on your Let them repent them, and be not detected. charge, sir, For a new felony. Amb. Yes. Shack. He's gone, sir, now, And left us the dead body; but withal, sir, Fitz. [starts up.] Is this upon your credit, Shack. Sir, you may see, and satisfy yourself. Sir, I am not bewitch'd, nor have a devil, And did abuse you: these two gentlemen It is not manly to take joy or pride [seeds [He comes forward for the Epilogue. Thus the projector here is overthrown; [Excunt. THE STAPLE OF NEWS. PENNYBOY, the Son, the Heir and Suitor. PENNYBOY, the Father, the Canter. PENNYBOY, Richer, the Uncle, the Usurer. DRAMATIS PERSONÆ. CYMBAL, Master of the Staple, and Prime Jeerer. ALMANAC, Doctor in Physic, and Jeerer. PICKLOCK, Man o' Law, and Emissary Westminster. NATHANIEL, First Clerk of the Office. THOMAS, Barber, Second Clerk of the Office. BROKER, Secretary, and Gentleman-Usher to PECUNIA. LICKFINGER, Master-Cook, and Parcel-Poet. SCENE, LONDON. THE INDUCTION. Enter PROLOGUE. Pro. For your own sakes, not his THE STAGE. Enter Gossip MIRTH, Gossip TATTLE, Gossip ExPECTATION, and Gossip CENSURE, four Gentlewomen, lady-like attired. Mirth. Come, gossip, be not ashamed. The play is THE STAPLE OF NEWS, and you are the mistress and lady of Tattle, let's have your opinion of it. - Do you hear, gentlemen? what are you, gentleman-usher to the play? Pray you help us to some stools here. Pro. Where? on the stage, ladies! Mirth. Yes, on the stage; we are persons of quality, I assure you, and women of fashion, and come to see and to be seen. My gossip Tattle here, and gossip Expectation, and my gossip Censure, and I am Mirth, the daughter of Christmas, and spirit of Shrovetide. They say, It's merry when gossips meet; I hope your play will be a merry one. Pro. Or you will make it such, ladies. Bring a form here. [A bench is brought in.] But what wis the noblemen think, or the grave wits here, to see you seated on the bench thus? Mirth. Why, what should they think, but that they had mothers as we had; and those mothers had gossips (if their children were christened) as we are; and such as had a longing to see plays, and sit upon them, as we do, and arraign both them and their poets? Pro. O, is that your purpose! Why, mistress Mirth and madam Tattle, enjoy your delights freely. Tat. Look your News be new and fresh, master | Prologue, and untainted; I shall find them else, if they be stale or fly-blown, quickly. Pro. We ask no favor from you; only we would entreat of madam Expectation Expect. What, master Prologue? Pro. That your ladyship would expect no more than you understand. Expect. Sir, I can expect enough. Pro. I fear, too much, lady; and teach others to do the like. Expect. I can do that too, if I have cause. Pro. Cry you mercy, you never did wrong, but with just cause. What's this, lady? Mirth. Curiosity, my lady Censure. Pro. O, Curiosity! you come to see who wears the new suit to-day; whose clothes are best penn'd, whatever the part be; which actor has the best leg and foot; what king plays without cuffs, and his queen without gloves; who rides post in stockings, and dances in boots. Cen. Yes, and which amorous prince makes love in drink, or does over-act prodigiously in beaten satin, and having got the trick on't, will be monstrous still, in despite of counsel. Book-holder. [within.] Mend your lights, gen- Master Prologue, begin. tlemen. Enter the TIRE-MEN to mend the lights. Tat. Ah me! Expect. Who's that? Pro. Nay, start not, ladies; these carry no fireworks to fright you, but a torch in their hands, to give light to the business. The truth is, there are a set of gamesters within, in travail of a thing called a play, and would fain be deliver'd of it: and they have entreated me to be their man-midwife, the prologue; for they are like to have a hard labor on't. Tat. Then the poet has abused himself, like an ass as he is. Mirth. No, his actors will abuse him enough, or I am deceived. Yonder he is within (I was in the tiring-house awhile to see the actors drest) rolling himself up and down like a tun in the midst of them, and purges, never did vessel of wort or wine work so! his sweating put me in mind of a good Shroving-dish (and I believe would be taken up for a service of state somewhere, an't were known), a stewed poet! he doth sit like an unbraced drum, with one of his heads beaten out; for that you must note, a poet hath two heads, as a drum has; one for making, the other repeating! and his repeating head is all to pieces; they may gather it up in the tiringhouse; for he hath torn the book in a poetical fury, and put himself to silence in dead sack, which, were there no other vexation, were sufficient to make him | the most miserable emblem of patience. Cen. The Prologue, peace. PROLOGUE, (FOR THE STAGE.) For your own sakes, not his, he bad me say, They are things—but yet the stage might stand as well, PROLOGUE. (FOR THE COURT.) A work not smelling of the lamp, to-night, To scholars, that can judge, and fair report The Lodgings of PENNYBOY, jun. Enter PENNYBOY, jun. and LEATHERLEG with a new pair of boots. P. jun. [LEATH. pulls on his boots.] Gramercy, And thou hast fitted me. [Exit. P. jun. [walks up and down in his gown. waistcoat, and trowses, expecting his tailor.] Look to me, wit, and look to my wit, land, That is, look on me, and with all thine eyes, Male, female, yea, hermaphroditic eyes, And those bring all your helps and perspicils, To see me at best advantage, and augment My form as I come forth; for I do feel I will be one worth looking after shortly; Now, by and by, that's shortly, -[draws forth his watch, and sets it on the table.] It strikes! one, two, Three, four, five, six. Enough, enough, dear watch, [rest; Thy pulse hath beat enough. Now sleep and Would thou couldst make the time to do so too: I'll wind thee up no more. The hour is come So long expected! there, there, drop my wardship, [Throws off his gown. My pupillage and vassalage together. I do write man, to beat thee! One and twenty Since the clock struck, complete! and thou wilt feel it, Thou foolish animal! I could pity him, custom ! Enter FASHIONER.. Are you come, sir Fash. God give your worship joy! P. jun. What! of your staying, P. jun. Thy jest Has gain'd thy pardon, thou hadst lived condemn'd 'To thine own hell else, never to have wrought Stitch more for me, or any Pennyboy, I could have hinder'd thee: but now thou art mine. For one and twenty years, or for three lives, Choose which thou wilt, I'll make thee a copyholder, And thy first bill unquestion'd. Help me on. Fash. Presently, sir: [says his suit.] I am bound unto your worship. P. jun. Thou shalt be, when I have seal'd thee a lease of my custom. Fash. Your worship's barber is without. Come in, Tom. Here in the house, almost on the same floor, Fash. Nay, if you knew the brain that hatch'd it, sir P. Jun. I know thee well enough: give him a loaf, Tom; Quiet his mouth, that oven will be venting else. Proceed Tho. He tells you true, sir; master Cymbal Is master of the office, he projected it, He lies here, in the house; and the great rooms Tho. Yes, four emissaries. Tho. Or half a wit, some of them are half-wits, Two to a wit, there are a set of them. Then master Ambler, emissary Paul's, | A fine-paced gentleman, as you shall see walk He has a rupture, he has sprung a leak. [ity P. jun. Tom, dear Tom, What may my means do for thee? ask and have I'd fain be doing some good: it is my birthday. And I would do it betimes, I feel a grudging Of bounty, and I would not long lie fallow. I pray thee think and speak, or wish for something. Tho. I would I had but one of the clerks In this News-office. [places P. jun. Thou shalt have it, Tom, If silver or gold will fetch it; what's the rate? At what is it set in the market? Tho. Fifty pound, sir. P. jun. An'twere a hundred, Tom, thou shalt not want it. Fash. O noble master! [Leaps and embraces him. P. jun. How now, Esop's ass! Because I play with Tom, must I needs run Into your rude embraces ? stand you still, sir; Clowns' fawnings are a horse's salutations. How dost thou like my suit, Tom? Tho. Master Fashioner Has hit your measures, sir, he has moulded you, Fash. No, no, not I, |