Created in China: The Great New Leap ForwardRoutledge, 2007. gada 30. okt. - 208 lappuses This book examines China’s creative economy—and how television, animation, advertising, design, publishing and digital games are reshaping traditional understanding of culture. Since the 1950s China has endeavoured to catch-up with advanced Western economies. ‘Made in China’ is one approach to global competitiveness. But a focus on manufacturing and productivity is impeding innovation. China imports creativity and worries about its ‘cultural exports deficit’. In the cultural sector Chinese audiences are attracted to Korean, Taiwanese, and Japanese culture, as well as Hollywood cinema. This book provides a fresh look looks at China’s move up the global value chain. It argues that while government and (most) citizens would prefer to associate with the nationalistic, but unrealized ‘created in China’ brand, widespread structural reforms are necessary to release creative potential. Innovation policy in China has recently acknowledged these problems. It considers how new ways of managing cultural assets can renovate largely non-competitive Chinese cultural industries. Together with a history of cultural commerce in China, the book details developments in new creative industries and provides the international context for creative cluster policy in Beijing and Shanghai. |
No grāmatas satura
1.–5. rezultāts no 30.
... technology and taste 23 3 The culture-knowledge economy of traditional China 35 4 Revolution, reform and culture in ... theory and cultural industries 59 PART II From Made in China to Created in China 75 6 Innovation systems, creative ...
... system of innovation that takes into account interdependent emerging relations between creativity, technology and knowledge. Whereas conventional national innovation systems approaches focus primarily on institutions and technologies ...
... systems of innovations approach, typified by science, education and technology. 2 These 'techno-economic' spheres of innovation have been championed by policy makers and think tanks, particularly in China. However, evidence from several ...
... innovation system are self-organising according to short-term rather than long-term considerations. This pragmatism reflects the uncertainty and risk Table 1.1 The innovation ecology communities challenge the producer/supply model ...
... innovation', creativity is endorsed as a public good. China is more open to ideas about reform of its education system, its enterprise management, and its media. Behind the Chinese Communist Party's rhetoric of 'harmonious society and ...
Saturs
The cultureknowledge economy of traditional China 35 | |
Cultural fever critical theory and cultural industries 59 | |
Innovation systems creative economy and catchup 77 | |
In search of Chinas new clusters 104 | |
Reality TV postcollectivism and the long tail 116 | |
10 | |
11 | |
12 | |
Chinas cultural and creative industries table of regulatory | |
References 173 | |
Index 188 | |