The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 36.
17. lappuse
... stands , which with difficulty poised themselves on the shoulders of sideboards , which in their turn stood on the wrong side of dining - tables , gymnastic with their legs upward on the tops of other dining - tables , were among its ...
... stands , which with difficulty poised themselves on the shoulders of sideboards , which in their turn stood on the wrong side of dining - tables , gymnastic with their legs upward on the tops of other dining - tables , were among its ...
43. lappuse
... stands , this sentence conveys but a single principal idea , composed of two essential parts , standing to each other in the relation of cause and effect . Disturb the relation inherent in " so " and " that , " and the highly coherent ...
... stands , this sentence conveys but a single principal idea , composed of two essential parts , standing to each other in the relation of cause and effect . Disturb the relation inherent in " so " and " that , " and the highly coherent ...
50. lappuse
... in great historical events or produce eminent historical characters . The French Revolution , for example , will not stand out in the midst of embracing narrative en- 50 RHETORICAL PRINCIPLES OF NARRATION B EPISODIC NARRATION.
... in great historical events or produce eminent historical characters . The French Revolution , for example , will not stand out in the midst of embracing narrative en- 50 RHETORICAL PRINCIPLES OF NARRATION B EPISODIC NARRATION.
51. lappuse
Carroll Lewis Maxcy. not stand out in the midst of embracing narrative en- vironment , complete in itself , but the account of that great convulsion will be presented with constant con- templation of the events that contributed to it ...
Carroll Lewis Maxcy. not stand out in the midst of embracing narrative en- vironment , complete in itself , but the account of that great convulsion will be presented with constant con- templation of the events that contributed to it ...
59. lappuse
... - vided his narrative . Arranged with suitable titles they stand as follows : THE PARSON'S MAGIC FLUTE I. The Reverend James Moore . II . The Passing of the Flute . A BOY'S VIOLIN III . David . IV . The CHARACTERISTICS OF NARRATIVE FORMS ...
... - vided his narrative . Arranged with suitable titles they stand as follows : THE PARSON'S MAGIC FLUTE I. The Reverend James Moore . II . The Passing of the Flute . A BOY'S VIOLIN III . David . IV . The CHARACTERISTICS OF NARRATIVE FORMS ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background biography chapter char character characteristics characterization chronicle clear climax coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore literature Macaulay Marjorie Daw Martin Chuzzlewit matter method Naaman narration narrative writing nature novel Oakhurst occurrence paragraph passage personage personality picture plot structure point of view Poker Flat portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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