The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 86.
vi. lappuse
... PLOT DEFINITIONS • · RHETORICAL ELEMENTS IN PLOT STRUCTURE Unity . ( a ) Definition of Plot Unity . ( b ) Unity in Complication ( c ) Point of View in Plot Structure Coherence Climax ( a ) The Method of Chronicle · 146 146 · . 150 172 ...
... PLOT DEFINITIONS • · RHETORICAL ELEMENTS IN PLOT STRUCTURE Unity . ( a ) Definition of Plot Unity . ( b ) Unity in Complication ( c ) Point of View in Plot Structure Coherence Climax ( a ) The Method of Chronicle · 146 146 · . 150 172 ...
x. lappuse
... plot - material . But extensive reading should at- tend the work of composition ; it will serve as a basis for discussion , illustration , and imitation . Few courses offer better material for arousing interest in good literature than ...
... plot - material . But extensive reading should at- tend the work of composition ; it will serve as a basis for discussion , illustration , and imitation . Few courses offer better material for arousing interest in good literature than ...
37. lappuse
... if one thinks of the part that the details must play , for example , in a novel of complicated plot , or in a detective story . But even in the item and in the isolated narrative paragraph CHARACTERISTICS OF NARRATIVE FORMS 37.
... if one thinks of the part that the details must play , for example , in a novel of complicated plot , or in a detective story . But even in the item and in the isolated narrative paragraph CHARACTERISTICS OF NARRATIVE FORMS 37.
38. lappuse
... plot ; but in the simple item this may well seem too pretentious a title . Within the limits of the item there is little opportunity for the elaboration and intricacy that belong to plot as that term is generally understood . And yet ...
... plot ; but in the simple item this may well seem too pretentious a title . Within the limits of the item there is little opportunity for the elaboration and intricacy that belong to plot as that term is generally understood . And yet ...
41. lappuse
... plot . In contrast to the leisurely and fully detailed method of the preceding articulated paragraphs we may take the following incident from chapter xviii of Macaulay's History of England : - Glenlyon and his men committed the error of ...
... plot . In contrast to the leisurely and fully detailed method of the preceding articulated paragraphs we may take the following incident from chapter xviii of Macaulay's History of England : - Glenlyon and his men committed the error of ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background biography chapter char character characteristics characterization chronicle clear climax coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore literature Macaulay Marjorie Daw Martin Chuzzlewit matter method Naaman narration narrative writing nature novel Oakhurst occurrence paragraph passage personage personality picture plot structure point of view Poker Flat portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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