The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
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1.5. rezultāts no 58.
1. lappuse
... nature temporal . It indicates a circumstance that presents itself in the course of time ; it is generally a part of some larger temporal whole , it may be of an era , or of a life , or of a mere brief experi- ence , as illustrated ...
... nature temporal . It indicates a circumstance that presents itself in the course of time ; it is generally a part of some larger temporal whole , it may be of an era , or of a life , or of a mere brief experi- ence , as illustrated ...
10. lappuse
... natural old age.1 - It might seem at first that this passage is narrative , but a little consideration will show that the writer's ulti- mate purpose is not to tell a story about a mountain- lake ; rather it is to elucidate the geologic ...
... natural old age.1 - It might seem at first that this passage is narrative , but a little consideration will show that the writer's ulti- mate purpose is not to tell a story about a mountain- lake ; rather it is to elucidate the geologic ...
16. lappuse
... natural . But the doctor's case was what struck me . He was the usual cut - and - dried apothecary , of no particular age and color , with a strong Edin- burgh accent , and about as emotional as a bagpipe . Well , sir , he was like the ...
... natural . But the doctor's case was what struck me . He was the usual cut - and - dried apothecary , of no particular age and color , with a strong Edin- burgh accent , and about as emotional as a bagpipe . Well , sir , he was like the ...
17. lappuse
... natural companion the fireside , braved the shrewd east wind in its adversity , and trembled in melancholy accord with the shrill complainings of a cabinet piano , wasting away , a string a day , and faintly resounding to the noises of ...
... natural companion the fireside , braved the shrewd east wind in its adversity , and trembled in melancholy accord with the shrill complainings of a cabinet piano , wasting away , a string a day , and faintly resounding to the noises of ...
24. lappuse
... natural constituent parts . into which the story falls . We think of it rather under the seven groups indicated by the sections into which the story has been divided . The minute divisions are lost in the larger group units . The nature ...
... natural constituent parts . into which the story falls . We think of it rather under the seven groups indicated by the sections into which the story has been divided . The minute divisions are lost in the larger group units . The nature ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background biography chapter char character characteristics characterization chronicle clear climax coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore literature Macaulay Marjorie Daw Martin Chuzzlewit matter method Naaman narration narrative writing nature novel Oakhurst occurrence paragraph passage personage personality picture plot structure point of view Poker Flat portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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