The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 21.
vi. lappuse
... Color · Atmosphere Symbolic Setting 67 · 3939 65 · 67 82 • 85 · 87 90 · Undue Elaboration of Setting • Development of Setting in Narrative Writing 101 V. THE AGENT OF THE ACTION : CHARACTER 107 DEFINITION OF " CHARACTER ' · · DIRECT ...
... Color · Atmosphere Symbolic Setting 67 · 3939 65 · 67 82 • 85 · 87 90 · Undue Elaboration of Setting • Development of Setting in Narrative Writing 101 V. THE AGENT OF THE ACTION : CHARACTER 107 DEFINITION OF " CHARACTER ' · · DIRECT ...
16. lappuse
... color , with a strong Edin- burgh accent , and about as emotional as a bagpipe . Well , sir , he was like the rest of us ; every time he looked at my prisoner I saw that Sawbones turn sick and white with the desire to kill him.1 - In ...
... color , with a strong Edin- burgh accent , and about as emotional as a bagpipe . Well , sir , he was like the rest of us ; every time he looked at my prisoner I saw that Sawbones turn sick and white with the desire to kill him.1 - In ...
40. lappuse
... colours , and they brought it to their father ; and said , This have we found : know now whether it be thy son's coat or no . And he knew it , and said , It is my son's coat ; an evil beast hath devoured him ; Joseph is without doubt ...
... colours , and they brought it to their father ; and said , This have we found : know now whether it be thy son's coat or no . And he knew it , and said , It is my son's coat ; an evil beast hath devoured him ; Joseph is without doubt ...
67. lappuse
... illustration , its purpose is not only to in- crease interest in the account but to identify , to THE BACKGROUND OF THE ACTION 67 SETTING DEFINED EXPOSITORY AND DRAMATIC SETTING Local Color Atmosphere Symbolic Setting 3939.
... illustration , its purpose is not only to in- crease interest in the account but to identify , to THE BACKGROUND OF THE ACTION 67 SETTING DEFINED EXPOSITORY AND DRAMATIC SETTING Local Color Atmosphere Symbolic Setting 3939.
69. lappuse
... color . A little to the right of the house , stood a single elm . The approach to the front porch was by a cinder path , directly in front and nearly straight , turning slightly to the east and terminating in three steps . Another path ...
... color . A little to the right of the house , stood a single elm . The approach to the front porch was by a cinder path , directly in front and nearly straight , turning slightly to the east and terminating in three steps . Another path ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background biography chapter char character characteristics characterization chronicle clear climax coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore literature Macaulay Marjorie Daw Martin Chuzzlewit matter method Naaman narration narrative writing nature novel Oakhurst occurrence paragraph passage personage personality picture plot structure point of view Poker Flat portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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