The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.5. rezultāts no 46.
v. lappuse
... B. EPISODIC NARRATION tails I. Unity . II . Emphasis III . Proportion · IV . Coherence 227394 6 6 12 13 · 18 20 29 29 · 29 · 31 37 335 38 46 · 50 50 53 · 56 . 58 IV . THE BACKGROUND OF THE ACTION : SETTING SETTING.
... B. EPISODIC NARRATION tails I. Unity . II . Emphasis III . Proportion · IV . Coherence 227394 6 6 12 13 · 18 20 29 29 · 29 · 31 37 335 38 46 · 50 50 53 · 56 . 58 IV . THE BACKGROUND OF THE ACTION : SETTING SETTING.
vi. lappuse
Carroll Lewis Maxcy. IV . THE BACKGROUND OF THE ACTION : SETTING SETTING DEFINED EXPOSITORY AND DRAMATIC SETTING . Local Color · Atmosphere Symbolic Setting 67 · 3939 65 · 67 82 85 · 87 90 · Undue Elaboration of Setting Development ...
Carroll Lewis Maxcy. IV . THE BACKGROUND OF THE ACTION : SETTING SETTING DEFINED EXPOSITORY AND DRAMATIC SETTING . Local Color · Atmosphere Symbolic Setting 67 · 3939 65 · 67 82 85 · 87 90 · Undue Elaboration of Setting Development ...
14. lappuse
... background . Such background description provides , and , in conse- quence , is in almost constant attendance upon narration . It is true , we can find examples of pure description , of description drawn solely for the sake of æsthetic ...
... background . Such background description provides , and , in conse- quence , is in almost constant attendance upon narration . It is true , we can find examples of pure description , of description drawn solely for the sake of æsthetic ...
64. lappuse
... Flute and Violin , however , with its general adherence to the actual sequence of time , is constructed after the method of veritable history , CHAPTER IV THE BACKGROUND OF THE ACTION : SETTING IF 64 RHETORICAL PRINCIPLES OF NARRATION.
... Flute and Violin , however , with its general adherence to the actual sequence of time , is constructed after the method of veritable history , CHAPTER IV THE BACKGROUND OF THE ACTION : SETTING IF 64 RHETORICAL PRINCIPLES OF NARRATION.
65. lappuse
... background against which the scene is pro- jected . This element is known as SETTING . In the story just cited it is represented by Corsica with its storm of mountains and rolling torrents , its high forests and desert soil , its ...
... background against which the scene is pro- jected . This element is known as SETTING . In the story just cited it is represented by Corsica with its storm of mountains and rolling torrents , its high forests and desert soil , its ...
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Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background biography chapter char character characteristics characterization chronicle clear climax coherence color complete complication composition consideration constitute culmination Cynegils Daniel Deronda definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore literature Macaulay Marjorie Daw Martin Chuzzlewit matter method Naaman narration narrative writing nature novel Oakhurst occurrence paragraph passage personage personality picture plot structure point of view Poker Flat portrayal present principle Puddletown purpose rative reader Reverend James Moore rhetorical scene secure sense sentence serve short-story Silas Marner Stone Face story successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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