The Dramatic Unity of "Huckleberry Finn"Ohio State University Press, 1976 - 201 lappuses The author addresses widespread criticism of the novel's ending, employing a structuralist approach to argue that the seemingly discordant ending of 'Huckleberry Finn' is in fact Mark Twain's deliberate gesture of tragic recognition of an American and a human predicament. |
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1.–3. rezultāts no 22.
104. lappuse
... realizing the dishonesty of the King and the Duke , Huck justifies his passivity toward them by thinking , " If I never ... realize that he stays with the rascals less because he is afraid of them than because he admires them , and it is ...
... realizing the dishonesty of the King and the Duke , Huck justifies his passivity toward them by thinking , " If I never ... realize that he stays with the rascals less because he is afraid of them than because he admires them , and it is ...
123. lappuse
... realizing that Twain is parodying this agreeable conclusion of the quest - action , is doing so openly and unmercifully , and is basing it all on the reader's blind voluntary commitment to Huck earlier in ... realize that Huck thinks he 123.
... realizing that Twain is parodying this agreeable conclusion of the quest - action , is doing so openly and unmercifully , and is basing it all on the reader's blind voluntary commitment to Huck earlier in ... realize that Huck thinks he 123.
124. lappuse
... realize that it is really Twain who has done that by standing back and allowing us to make ourselves accomplices from the opening sentence of the book . Twain thus makes us show ourselves to ourselves , as human beings dominated by the ...
... realize that it is really Twain who has done that by standing back and allowing us to make ourselves accomplices from the opening sentence of the book . Twain thus makes us show ourselves to ourselves , as human beings dominated by the ...
Saturs
The World of Huckleberry Finn and Man in It | 3 |
The Role of Drama | 47 |
A Structure of Dramas | 111 |
Autortiesības | |
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accept action activity admires Adventures ain't American artistic Aunt Sally beginning behavior Boggs boys Bricksville chap chapter 31 characters Colonel Sherburn commitment conscience create critics culture demonstration domination dramatist Duke effect ending of Huckleberry evasion fails failure feel fiction final gang gesture Grangerford gratuitous drama Henry Nash Smith hoax honey Huck Finn Huck says Huck's Huckleberry Finn human involved Jackson's Island Jim's kill kind King language later Loftus Mark Twain meaning Miss Watson Moby-Dick nature never nigger Nonesuch novel Pap's cabin paragraph Phelps farm Phelps house Pokeville power of drama pressure raft rascals reader reality realize reverie Richard Poirier Sawyer scene sense slave slavery speech story structure style suggests survival drama T. S. Eliot tell thing Tom Sawyer Tom's Tony Tanner turbulence Twainian Unity of Huckleberry vernacular W. D. Howells Walter Scott Wilks episode Wilkses world of Huckleberry writing
Atsauces uz šo grāmatu
Natural Right and the American Imagination: Political Philosophy in Novel Form Catherine H. Zuckert Ierobežota priekšskatīšana - 1990 |