Architectonics of Imitation in Spenser, Daniel, and DraytonUniversity of Toronto Press, 2000. gada 1. janv. - 229 lappuses This ground-breaking study explores the treatment of the boundaries between poetry and history in three epic literary works: Spenser's Faerie Queene, Samuel Daniel's Civil Wars, and Michael Drayton's Poly-Olbion. David Galbraith argues that each of the three national poems enters into a dialogue with classical and more contemporary predecessors and that this relationship has profound implications for understanding the English Renaissance. He explores the importance for each poem of various aspects of the relationship between England and Rome and the significance of the recurring spatial metaphors by which the territories of poetry and history are constituted, negotiated, and traversed. By presenting historically and theoretically inflected readings of the poems, Galbraith gives new interpretation to important problems of allegory and poetic imitation. |
Saturs
The Landscape of Allegory | 3 |
Allegory in Book I of The Faerie Queene | 31 |
Translatio Imperii in Book III of The Faerie Queene | 52 |
Daniels Civil Wars | 77 |
Draytons PolyOlbion | 108 |
NOTES | 143 |
BIBLIOGRAPHY | 193 |
225 | |
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