Copyright Holder Protection Act: Hearing Before the Subcommittee on Patents, Copyrights, and Trademarks of the Committee on the Judiciary, United States Senate, Ninety-ninth Congress, First Session, on S. 1384 ... November 20, 1985U.S. Government Printing Office, 1986 - 158 lappuses |
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1.–5. rezultāts no 22.
4. lappuse
... respect to a key provision of the act and thereby deprived songwriters , authors , and other art- ists of important benefits Congress meant them to have . Frankly , as the members of this subcommittee are well aware , it takes a fair ...
... respect to a key provision of the act and thereby deprived songwriters , authors , and other art- ists of important benefits Congress meant them to have . Frankly , as the members of this subcommittee are well aware , it takes a fair ...
5. lappuse
... respect in this field is entitled to considerable weight on the question of the original intent of Congress in making those changes . While the Mills Music decision addressed only section 304 of the Copyright Act , I think it is ...
... respect in this field is entitled to considerable weight on the question of the original intent of Congress in making those changes . While the Mills Music decision addressed only section 304 of the Copyright Act , I think it is ...
7. lappuse
... respect to a key provision of the Act , and thereby deprived songwriters , authors , and other artists of important benefits Congress meant them to have . Frankly , as the members of this subcommittee are well aware , it takes a fair ...
... respect to a key provision of the Act , and thereby deprived songwriters , authors , and other artists of important benefits Congress meant them to have . Frankly , as the members of this subcommittee are well aware , it takes a fair ...
22. lappuse
... respect to the so - called " reversion " problem dealt with in section 203. The history of that development is summarized fully and accurately in the Register's Supplementary Report , and the committee is aware of that history . After ...
... respect to the so - called " reversion " problem dealt with in section 203. The history of that development is summarized fully and accurately in the Register's Supplementary Report , and the committee is aware of that history . After ...
24. lappuse
... respect to " Who's Sorry Now . " The Harry Fox Agency acted on Mills ' behalf in issuance of licenses with respect to mechanical recordings of the song . Section 1 ( e ) together with section 101 ( e ) of the 1909 Act , and its ...
... respect to " Who's Sorry Now . " The Harry Fox Agency acted on Mills ' behalf in issuance of licenses with respect to mechanical recordings of the song . Section 1 ( e ) together with section 101 ( e ) of the 1909 Act , and its ...
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1299 Ocean Avenue amendment Arlen Specter ASCAP author's grant Authors League Barbara Ringer bargaining power benefits Berman book publisher composer Congress intended congressional intent contract Copyright Law Revision Copyright Office copyright term copyrighted work covered Court of Appeals created creators date of termination Dean Kay Dear Dean derivative rights derivative works based derivative works exception effective date exploit Fox license George David Weiss Group 1299 Ocean Harry Fox Agency hearing heirs issue legislative history mechanical royalties middleman Mills Music decision motion picture Music Group 1299 music industry music publishers pay royalties promote protection publisher's recapture receive record companies Register of Copyrights renewal copyright renewal term reversion right to terminate Santa Monica section 304 Senator SPECTER share of royalties song songwriters sound recordings statement statute statutory subsisting copyrights Ted Snyder term of copyright terminated grant termination clause termination provisions termination right U.S. Supreme Court Welk Music Group Who's Sorry windfall writers