Music Licensing Practices of Performing Rights Societies: Hearings Before the Subcommittee on Intellectual Property and Judicial Administration of the Committee on the Judiciary, House of Representatives, One Hundred Third Congress, Second Session, February 23 and 24, 1994U.S. Government Printing Office, 1994 - 492 lappuses Distributed to some depository libraries in microfiche. |
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1.–5. rezultāts no 100.
21. lappuse
... user who thought he was pay- ing too little . " ing anticipate that the users groups , who have requested an audi- ence at these hearings will tell you all sorts of stories about ASCAP and its sister organizations , about our so ...
... user who thought he was pay- ing too little . " ing anticipate that the users groups , who have requested an audi- ence at these hearings will tell you all sorts of stories about ASCAP and its sister organizations , about our so ...
22. lappuse
... user industries . We find that since negotiation and co- operation pays dividends in gaining the goodwill of users . Each ASCAP license agreement is tailored for the industry being licensed . To put it another way , the license fees and ...
... user industries . We find that since negotiation and co- operation pays dividends in gaining the goodwill of users . Each ASCAP license agreement is tailored for the industry being licensed . To put it another way , the license fees and ...
27. lappuse
... users , and the public at large . More than 55,000 composers , lyricists and publishers , as well as the members of more than forty affiliated foreign performing rights societies , have granted ASCAP the non - exclusive right to license ...
... users , and the public at large . More than 55,000 composers , lyricists and publishers , as well as the members of more than forty affiliated foreign performing rights societies , have granted ASCAP the non - exclusive right to license ...
28. lappuse
... of making a written request for a license , the user has one . Second , ASCAP must license all similarly situated users on nondiscriminatory terms . Thus , all users in the same industry are entitled to the same form of license , 28.
... of making a written request for a license , the user has one . Second , ASCAP must license all similarly situated users on nondiscriminatory terms . Thus , all users in the same industry are entitled to the same form of license , 28.
29. lappuse
... user may continue to use our music even while we are attempting to prove the reasonableness of our proposal . These provisions have stood the test of time , and have insured fair treatment for users and ASCAP's members alike . Wherever ...
... user may continue to use our music even while we are attempting to prove the reasonableness of our proposal . These provisions have stood the test of time , and have insured fair treatment for users and ASCAP's members alike . Wherever ...
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ACDA ACDA conventions American Choral Directors American Society antitrust ASAE ASCAP and BMI ASCAP license agreement ASCAP music ASCAP or BMI ASCAP repertory Atsinger attendees background music blanket license BMI and ASCAP BMI music BMI's Broadcast Music BROOKS Chairman choirs Choral Directors Association commercial Congress consent decree Copyright Act copyright infringement Copyright Law copyright owners copyrighted music DEION entertainment establishments event exemption exhibitors expositions folk music hear HUGHES incidental industry KOENIGSBERG live music Managers mechanical music meeting music licensing organizations music performed music users musical compositions musicians NAEM negotiations operation paid payment per-program license performances of music performing rights organizations performing rights societies played program license public assembly facilities public performance radio stations rate court receive recorded music repertoire representatives responsible restaurant royalties SESAC Society of Composers songs songwriters sponsors statement testimony Thank tion trade shows Tulsa Convention Center vicarious liability
Populāri fragmenti
63. lappuse - This agreement shall enure to the benefit of and shall be binding upon the parties hereto and their respective successors and assigns...
39. lappuse - display" a work means to show a copy of it, either directly or by means of a film, slide, television image, or any other device or process or, in the case of a motion picture or other audiovisual work, to show individual images nonsequentially. A work is "fixed...
102. lappuse - ... a luxurious pleasure not to be had from eating a silent meal. If the music did not pay, it would be given up. If it pays, it pays out of the public's pocket. Whether it pays or not, the purpose of employing it is profit, and that is enough.
8. lappuse - Copyrights shall prescribe by regulation; (5) communication of a transmission embodying a performance or display of a work by the public reception of the transmission on a single receiving apparatus of a kind commonly used in private homes...
39. lappuse - publicly" means: (1) to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered...
39. lappuse - publicly" means — (1) to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered; or (2) to transmit or otherwise communicate a performance or display of the work to a place specified by clause (1) or to the public, by means of any device or process, whether the members of the public capable of receiving the performance or display receive it in the same place or in separate...
39. lappuse - transmit" a performance or display is to communicate it by any device or process whereby images or sounds are received beyond the place from which they are sent.
330. lappuse - A well-established principle of copyright law is that a person who violates any of the exclusive rights of the copyright owner is an infringer, including persons who can be considered related or vicarious infringers.
102. lappuse - The defendants' performances are not eleemosynary. They are part of a total for which the public pays, and the fact that the price of the whole is attributed to a particular item which those present are expected to order is not important. It is true that the music is not the sole object, but neither is the food, which probably could be got cheaper elsewhere. The object is a repast in surroundings that to people having limited powers of conversation, or disliking the rival noise, give a luxurious...
42. lappuse - US 151 (1975), which merely augmented a home-type receiver and which was not of sufficient size to justify, as a practical matter, a subscription to a commercial background music service, would be exempt.