The Collected Works of W.B. Yeats Volume IV: Early Essays

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Simon and Schuster, 2007. gada 6. marts - 560 lappuses
The Collected Works of W. B. Yeats, Volume IV: Early Essays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars George Bornstein and George Mills Harper. These volumes include virtually all of the Nobel laureate's published work, in authoritative texts with extensive explanatory notes.

Early Essays, edited by the internationally esteemed Yeats scholars George Bornstein and the late Richard J. Finneran, includes the contents of the two most important collections of Yeats's critical prose, Ideas of Good and Evil(1903) and The Cutting of an Agate(1912, 1919). Among the seminal essays are considerations of Blake, Shakespeare, Shelley, Spenser, and Synge, as well as an extended discussion of the Japanese Noh theatre. The first scholarly edition of these materials, Early Essays offers a corrected text and detailed annotation of all allusions. Several appendices gather materials from early printings which were later excluded, as well as illuminating black-and-white illustrations.

Early Essays is an essential sourcebook for understanding Yeats's career as both writer and literary critic, and for the development of modern poetry and criticism. Here, Yeats works out many of his key ideas on poetry, politics, and the theater. He gives interpretations of writers critical to his development and presents a compelling vision of Ireland and the modern world during the last decade of the nineteenth century and first two decades of the twentieth. As T. S. Eliot remarked, Yeats "was one of those few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." This volume displays a crucial part of that history.

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Saturs

The LookingGlass
197
The Praise of Old Wives Tales
199
The Play of Modern Manners
200
Has the Drama of Contemporary Life a Root of its Own?
201
Why the Blind Man in Ancient Times Was Made a Poet
202
Concerning Saints and Artists
204
The Subject Matter of Drama
206
The Two Kinds of Asceticism
208

The Philosophy of Shelleys Poetry
51
At StratfordonAvon
73
William Blake and the Imagination
84
William Blake and His Illustrations to The Divine Comedy
88
Symbolism in Painting 108
108
The Symbolism of Poetry
113
The Theatre
125
The Celtic Element in Literature
128
The Autumn of the Body
139
The Moods
143
The Body of the Father Christian Rosencrux
144
The Return of Ulysses
146
Ireland and the Arts
150
The Galway Plains
156
Emotion of Multitude
159
Certain Noble Plays of Japan
163
The Tragic Theatre
174
Poetry and Tradition
180
Discoveries
191
Personality and the Intellectual Essences
194
The Musician and the Orator
196
In the Serpents Mouth
209
His Mistresss Eyebrows
210
The Tresses of the Hair
211
The Thinking of the Body
212
Religious Belief Necessary to Religious Art
213
The Holy Places
214
Preface to the First Edition of The Well of the Saints 216 45 Preface to the First Edition of John M Synges Poems and Translations
222
J M Synge and the Ireland of His Time
226
John ShaweTaylor
248
Art and Ideas
250
Edmund Spenser
257
Preface to The Cutting of an Agate 1912
279
Dedication of Essays 1924 281 Appendices
285
Omitted Section from At StratfordonAvon
295
E Omitted Passage from Symbolism in Painting
307
G Conclusion to The Tragic Theatre in Plays for an Irish
313
Preface to J M Synge and the Ireland of His Time 1911
319
Textual Emendations and Corrections
327
Notes
337
Index
481
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Par autoru (2007)

William Butler Yeats is generally considered to be Ireland’s greatest poet, living or dead, and one of the most important literary figures of the twentieth century. He was awarded the Nobel Prize in Literature in 1923.

The late Richard J. Finneran was general editor, with George Mills Harper, of The Collected Works of W. B. Yeats for many years; series editor of The Poems in the Cornell Yeats; and editor of Yeats: An Annual of Critical and Textual Studies, among other works. He held the Hodges Chair of Excellence at the University of Tennessee, Knoxville; was a past president of the South Atlantic Modern Language Association; and served as executive director of the Society for Textual Scholarship.

George Bornstein wrote five critical books on nineteenth- and twentieth-century literature. A longtime student of material textuality, he produced several major editions of modernist works, including two volumes on Yeats's early poetry for the Cornell Yeats Series and the collection Under the Moon: Unpublished Early Poetry by W. B. Yeats. He held fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, and the Guggenheim Foundation, and served as president of the Society for Textual Scholarship.

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