Media Law for ProducersFocal Press, 1998 - 379 lappuses Legal problems can be very costly to media producers. Lawyers and court fees, coupled with the loss of work time, can lead to bankruptcy. Media Law for Producers cuts through the legalese and illustrates legal issues to help producers recognize the legal questions that can come up during production, from performer contracts through copyright registrations. Beginning with an overview of what is media law, Media Law for Producers examines the court system and how media law is made: litigation and arbitration; contracts (sample production contracts are included); copyright, trademarks, and patents; permits, releases, and insurance; privacy, libel, and defamation; licensing music; working with and without unions; royalties and residuals; protecting your finished production; and special considerations for productions that will be broadcast. Contracts are a very important part of this book and Miller explains the reasons behind the necessary components of several types of media contracts. Through clear explanations and examples, Media Law for Producers completely covers what producers need to be aware of to avoid legal trouble. Philip Miller is an attorney in the Century City (Los Angeles) office of Irell & Manella LLP, where he specializes in entertainment and intellectual property law. He writes often on the subject of media and technology law and policy. |
No grāmatas satura
1.–3. rezultāts no 23.
182. lappuse
... song and a sound recording are different , distinct works . As a result , the individual who wrote the song does not necessarily have an ownership stake in sound recordings of the song , and the performers and record companies who ...
... song and a sound recording are different , distinct works . As a result , the individual who wrote the song does not necessarily have an ownership stake in sound recordings of the song , and the performers and record companies who ...
186. lappuse
... song to the video track of your production . Performance rights allow you to show the completed production that contains the song to an audience . In addition , if you are seeking to use an original sound recording in a production , you ...
... song to the video track of your production . Performance rights allow you to show the completed production that contains the song to an audience . In addition , if you are seeking to use an original sound recording in a production , you ...
205. lappuse
... song and the nature and extent of your rights to use and re - use your recording of the song . In particular , you should make sure that you obtain all of the rights you need to distribute the production containing the song in all ...
... song and the nature and extent of your rights to use and re - use your recording of the song . In particular , you should make sure that you obtain all of the rights you need to distribute the production containing the song in all ...
Saturs
Figures | 6 |
2 The Federal and State Judicial Systems and the Appeals | 17 |
Process | 29 |
Autortiesības | |
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actual addition advance against royalties agency agree application audiovisual broadcast cable cable television Category CD-ROM checklist claim common law constitute contractor copy Copyright Act copyright infringement copyright law copyright notice copyright owner copyright protection copyrighted material created deliver determine discussed in Chapter distribution distributor duction employees example fair Fairness Doctrine fees Figure film footage Frito-Lay grant Grantor guild and union guild members hereunder hire interactive Internet involved issues Lanham Act libel license mark media law media production negotiate obligations payment performance rights performance rights societies Performer's permission production company production contract public domain record company registered royalties rules SAG and AFTRA Sample script Section song sound recording specified statements statutes statutory damages Suite Supreme Court third party tion U.S. Constitution U.S. Copyright Office U.S. Supreme Court warranties work-made-for-hire written