The Works of Beaumont and Fletcher: In Fourteen Volumes: with an Introduction and Explanatory Notes, 1. sējumsJ. Ballantyne, 1812 - 14 lappuses |
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1.–5. rezultāts no 62.
viii. lappuse
... writer with his namesake , the master of the Charter house , of the family of the Beaumonts of Cole - Orton , who was educated at Cambridge , was also poet , and died in 1624. He prefixed an epistle to Speight's edition of Chaucer ...
... writer with his namesake , the master of the Charter house , of the family of the Beaumonts of Cole - Orton , who was educated at Cambridge , was also poet , and died in 1624. He prefixed an epistle to Speight's edition of Chaucer ...
xi. lappuse
... writing for the stage about the year 1605. If he actually wrote as early as 1596 , his endeavours were probably insignifi- cant , and confined to a share in some of the The prevalency of similar alliances among the Spanish dramatists of ...
... writing for the stage about the year 1605. If he actually wrote as early as 1596 , his endeavours were probably insignifi- cant , and confined to a share in some of the The prevalency of similar alliances among the Spanish dramatists of ...
xvii. lappuse
... writer of great celebrity at the time , and of Field , both a player and a poet , were added ; and Fletcher subjoined three copies of verses to Sir Walter Aston , Sir William Skip- with , and Sir Robert Townshend , and an ad- dress to ...
... writer of great celebrity at the time , and of Field , both a player and a poet , were added ; and Fletcher subjoined three copies of verses to Sir Walter Aston , Sir William Skip- with , and Sir Robert Townshend , and an ad- dress to ...
xxi. lappuse
... write another for them and Gray's Inn , which was performed on Valentine's day 1612-3 , with great magnifi- cence . cess . In the year 1613 , our poets brought several pieces on the stage with different degrees of suc- The Honest Man's ...
... write another for them and Gray's Inn , which was performed on Valentine's day 1612-3 , with great magnifi- cence . cess . In the year 1613 , our poets brought several pieces on the stage with different degrees of suc- The Honest Man's ...
xxiii. lappuse
... for a long time , it was considered as a play of his own . Dr Farmer , however , was of opinion , that Theobald was not capable of writing it , and • Vol . IX . p . 131 , 133 . that it was the work of Shirley , or , INTRODUCTION . xxiii.
... for a long time , it was considered as a play of his own . Dr Farmer , however , was of opinion , that Theobald was not capable of writing it , and • Vol . IX . p . 131 , 133 . that it was the work of Shirley , or , INTRODUCTION . xxiii.
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acted appears Armanus authors Beaumont and Fletcher BELLARIO Ben Jonson Burning Pestle character comedy dare death dramatic edition editor Enter excellent Exeunt Exit fair Faithful Faithful Shepherdess fame fear Flavia folio Francis Beaumont gentlemen George give hand hast hath heart honour humour Jasp Jasper John JOHN FLETCHER Jonson king Knight lady Learch Lelia Little French Lawyer live lord Luce Maid's Tragedy Marius Massinger master master Humphrey merry Merrythought Monsieur Thomas muse ne'er never Nice Valour noble passions Philadelpha Philaster plays plot poems poets pray printed prologue quarto Ralph reader Rufinus scene Scornful Lady Seward Shakspeare Shakspeare's shalt shew sing Snip soul Spanish Curate speak squire stage tell thee there's thine thou art thought tion Titus Tull Tullius twas unto Vent verses Wife Woman-Hater word
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clxv. lappuse - Do my face (If thou had'st ever feeling of a sorrow) Thus, thus, Antiphila : strive to make me look Like Sorrow's monument ; and the trees about me, Let them be dry and leafless ; let the rocks Groan with continual surges ; and behind me, Make all a desolation.
cxcvi. lappuse - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod...
clix. lappuse - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
xxxv. lappuse - What things have we seen Done at the ' Mermaid ? ' Heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
lxx. lappuse - Beaumont and Fletcher, of whom I am next to speak, had, with the advantage of Shakespeare's wit, which was their precedent, great natural gifts improved by study; Beaumont especially being so accurate a judge of plays that Ben Jonson, while he lived, submitted all his writings to his censure, and, 'tis thought, used his judgment in correcting, if not contriving all his plots.
cl. lappuse - Every Man out of his Humour," usurped that dictatorship, in the Literary Republic, which he so sturdily and invariably maintained, though long and hardily disputed.
190. lappuse - Troul the black bowl to me ;" and a woman that will sing a catch in her travail. I have seen a man come by my door with a serious face, in a black cloak, without a hatband, carrying his head as if he look'd for pins in the street.
cxxxix. lappuse - ... off, before he committed one word to writing, and never touched pen till all was to stand as firm and immutable as if engraven in brass or marble.
clix. lappuse - em. he would weep, As if he meant to make 'em grow again. Seeing such pretty helpless innocence Dwell in his face, I ask'd him all his story. He told me, that his parents gentle died, Leaving him to the mercy of the fields, Which gave him roots ; and of the crystal springs, Which did not stop their courses ; and the sun, Which still, he thank'd him, yielded him his light.
143. lappuse - By heaven, methinks it were an easy leap To pluck bright Honour from the pale-faced moon, Or dive into the bottom of the deep, Where fathom-line could never touch the ground, And pluck up drowned Honour by the locks; So he that doth redeem her thence might wear Without corrival all her dignities.