A Handbook of Cultural EconomicsRuth Towse Edward Elgar Publishing, 2003. gada 1. janv. - 494 lappuses 'Ruth Towse is to be congratulated on assembling such a high quality range of writers on cultural economics and on orchestrating their contributions so expertly. From anthropology and auctions through copyright and superstars to visual arts and welfar |
No grāmatas satura
1.5. rezultāts no 77.
1. lappuse
... less so and a few are about closely related disciplines . The titles of the entries have been kept simple to make the book easy to use . Entries are cross - referenced to guide the reader to related : topics . In cases where alternative ...
... less so and a few are about closely related disciplines . The titles of the entries have been kept simple to make the book easy to use . Entries are cross - referenced to guide the reader to related : topics . In cases where alternative ...
4. lappuse
... less attention , though it can strongly influence the market for cultural goods . Cultural policy , therefore , has economic dimensions : on the one hand , market outcomes are intentionally altered by state intervention and , on the ...
... less attention , though it can strongly influence the market for cultural goods . Cultural policy , therefore , has economic dimensions : on the one hand , market outcomes are intentionally altered by state intervention and , on the ...
5. lappuse
... less than one per cent of the government budget . The study of cultural economics is not motivated by the size of the cultural sector , nor is it important because of the amount of public money involved . However , cultural policy and ...
... less than one per cent of the government budget . The study of cultural economics is not motivated by the size of the cultural sector , nor is it important because of the amount of public money involved . However , cultural policy and ...
9. lappuse
... less able to compete for consumer spending and so are at risk from market forces that would eventually lead to their demise . Historically , that is a typical outcome of dynamic growth with technical progress and it has displaced ...
... less able to compete for consumer spending and so are at risk from market forces that would eventually lead to their demise . Historically , that is a typical outcome of dynamic growth with technical progress and it has displaced ...
21. lappuse
... less affluent , and perhaps most notably their children , often do not get the opportunity to experience the arts and to discover the attraction of cultural activity for themselves . This problem is exacerbated by the high admission ...
... less affluent , and perhaps most notably their children , often do not get the opportunity to experience the arts and to discover the attraction of cultural activity for themselves . This problem is exacerbated by the high admission ...
Saturs
15 | |
20 | |
32 | |
40 | |
57 | |
64 | |
Artists labour markets | 69 |
Artists rights | 76 |
Information goods | 263 |
International trade | 269 |
Internet culture | 276 |
Internet economics | 281 |
Management of the arts | 287 |
Marketing the arts | 293 |
Media economics | 301 |
Motion pictures | 306 |
Awards | 81 |
Ballet | 85 |
Baumols cost disease | 91 |
Broadcasting | 102 |
Cinema | 114 |
Contingent valuation | 119 |
Copyright | 132 |
Corporate arts sponsorship | 143 |
Costs of production | 152 |
Criticism in the arts | 161 |
Cultural capital | 166 |
Cultural industries | 170 |
Cultural statistics | 177 |
Cultural sustainability | 183 |
Cultural tourism | 187 |
Dealers in art | 194 |
Demand | 201 |
Digitalization | 214 |
Economic impact of the arts | 224 |
Festivals | 232 |
Fixed book price | 237 |
Gift economy | 243 |
Globalization | 248 |
Heritage | 255 |
Museums | 315 |
Music business | 321 |
Nonprofit organizations | 331 |
Opera | 342 |
Orchestras | 349 |
Participation | 356 |
Performance indicators | 366 |
Principalagent analysis | 373 |
Public choice | 379 |
Public support | 389 |
Publishing | 399 |
Regulation | 408 |
Sociology of art | 415 |
Superstars | 431 |
Support for artists | 437 |
Taste formation | 445 |
Tax concessions | 451 |
Television | 458 |
Value of culture | 465 |
Visual arts | 470 |
Welfare economics | 476 |
Index | 483 |
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Bieži izmantoti vārdi un frāzes
activities analysis art market artists arts institutions auction ballet Baumol Baumol's cost disease behaviour benefits broadcasting Cambridge cent Chapter choice cointegration commercial competition consumers consumption Contingent Valuation corporate countries creative Cultural Economics cultural industries cultural policy cultural sector cultural tourism dealers demand distribution economists Edward Elgar effects efficiency example factors festivals film firms fixed book prices funding galleries global heritage important incentive income increase indicators individual inputs Internet Journal of Cultural labour marginal market failure media economics museums nomic non-profit opera output paintings performing arts political price discrimination problem production profit programmes publishing record company regulation rent-seeking resale price maintenance revenues role social specific studies subsidies taste television theatre theory Throsby tion Towse trade tural University Press welfare economics
Populāri fragmenti
218. lappuse - Accordingly, the sale of copying equipment, like the sale of other articles of commerce, does not constitute contributory infringement if the product is widely used for legitimate, unobjectionable purposes. Indeed, it need merely be capable of substantial noninfringing uses.
445. lappuse - Economics is the science which studies human behaviour, as a relationship between ends and scarce means which have alternative uses" Robbins...
142. lappuse - But though a copyright is for this reason less vulnerable than a patent, the owner's protection is more limited, for just as he is no less an "author" because others have preceded him, so another who follows him, is not a tort-feasor unless he pirates his work.
20. lappuse - The pecuniary recompence, therefore, of those who exercise them in this manner, must be sufficient, not only to pay for the time, labour, and expense of acquiring the talents, but for the discredit which attends the employment of them as the means of subsistence. The exorbitant rewards of players, opera-singers, opera-dancers, etc.
249. lappuse - John Synge and I were put in control. And our relations with the public were even more disturbed. One play was violently attacked by the patriotic Press because it described a married peasant woman who had a lover, and when we published the old Aran...
20. lappuse - It seems absurd at first sight that we should despise their persons, and yet reward their talents with the most profuse liberality. While we do the one, however, we must of necessity do the other. Should the public opinion or prejudice ever alter with regard to such occupations, their pecuniary recompense would quickly diminish.
141. lappuse - author," and, if he copyrighted it, others might not copy that poem, though they might of course copy Keats's.
66. lappuse - artistic excellence and artistic merit are the criteria by which [grant] applications are judged, taking into consideration general standards of decency and respect for the diverse beliefs and values of the American public.
223. lappuse - Contracting Parties shall provide adequate legal protection and effective legal remedies against the circumvention of effective technological measures that are used by authors in connection with the exercise of their rights under this Treaty or the Berne Convention and that restrict acts, in respect of their works, which are not authorized by the authors concerned or permitted by law.
20. lappuse - Should the public opinion or prejudice ever alter with regard to such occupations, their pecuniary recompense would quickly diminish. More people would apply to them, and the competition would quickly reduce the price of their labour. Such talents, though far from being common, are by no means so rare as is imagined. Many people possess them in great perfection, who disdain to make this use of them; and many more are capable of acquiring them, if anything could be made honourably by them.
Atsauces uz šo grāmatu
Creative Cities, Cultural Clusters and Local Economic Development Philip N. Cooke,Luciana Lazzeretti Ierobežota priekšskatīšana - 2008 |
Understanding International Art Markets and Management Iain Robertson Priekšskatījums nav pieejams - 2005 |