No grāmatas satura
1.3. rezultāts no 79.
2. lappuse
say that where the emphasis in the render- In pure melodrama , character , in the ing of material is upon the narrative prob- true sense , does not exist . Instead , there lem , the form can be identified as a story . are abstract ...
say that where the emphasis in the render- In pure melodrama , character , in the ing of material is upon the narrative prob- true sense , does not exist . Instead , there lem , the form can be identified as a story . are abstract ...
3. lappuse
In the first instance , the which is a prime element of the novel , does warping of character to fit a pattern of not confine itself to backgrounds ; it goes behavior necessary to the continuity of a further . The novelist , in the same ...
In the first instance , the which is a prime element of the novel , does warping of character to fit a pattern of not confine itself to backgrounds ; it goes behavior necessary to the continuity of a further . The novelist , in the same ...
228. lappuse
CHARACTER IN THE NOVEL By Edith WHARTON The double plot has long since vanished and the " plot " itself , in the sense ... of characters have to be arbitrarily fitted , has gone with it to the lumber - room of discarded conventions .
CHARACTER IN THE NOVEL By Edith WHARTON The double plot has long since vanished and the " plot " itself , in the sense ... of characters have to be arbitrarily fitted , has gone with it to the lumber - room of discarded conventions .
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Saturs
INDEX | 10 |
Tiverton Dana Kathleen Norris Answers Some | 44 |
Adventure Fiction Tips on Writing 248 | 51 |
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