Art and Copyright

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Bloomsbury Academic, 2001. gada 1. jūn. - 216 lappuses
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The intellectual property protection afforded to works of art is receiving increased attention by artists,museums, galleries, auction houses, publishers and their professional staff and legal advisors, as well as by those teaching or studying copyright and/or the law of cultural property.
Contemporary artists are pushing copyright law to extremes. The European Union is likely to soon formally adopt an artists' resale right (droit de suite) directive. The recent adoption of the digital copyright directive will also further strengthen the rights of artists as regards the exploitation of their works via the Internet.
This is the first text to specifically examine in detail the intellectual property rights protecting artistic works and artists' rights generally in the United Kingdom. The focus is on the UK but where appropriate other relevant jurisdictions are discussed. Recent European developments and the evolving UK case law in this area including the recent House of Lords' decision in Designers Guild v Russell Williams are also addressed. The Internet and related intellectual property rights to copyright and moral rights are considered as well, including the law of passing off, breach of confidence, trade marks and domain name protection.

No grāmatas satura

 

1.–3. rezultāts no 37.

xi. lappuse
[ 1996 ] 6 EIPR 322 I. Chilvers , A Dictionary of Twentieth Century Art ( Oxford University Press , Oxford , 1999 ) R. Coombes , The Cultural Life of Intellectual Properties ( Duke University Press , Durham , N.C. and London ...
141. lappuse
... Recent Developments ” [ 1999 ] EIPR 599 ( “ Golvan " ) . He notes that Aboriginal artists have been involved in litigation to protect their copyrights on an almost continual basis since 1988 , beginning with the Bulun Bulun case .
151. lappuse
... “ On- Line Rights : How to Interpret Pre - Existing Agreements ” [ 1996 ] 9 EIPR 494. For a UK view see Copinger 5-222 . 7 See A.D. Murray , “ Entering into Contracts Electronically : The Real W.W.W. ” in Edwards and Waelde , Chap .

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Saturs

Introduction
1
Its Justification and History
9
The Modern Law of Copyright 222
27
Autortiesības

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Art and Copyright
Simon Stokes
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Art and Copyright
Simon Stokes
Ierobežota priekšskatīšana - 2012
Art and Copyright
Simon Stokes
Ierobežota priekšskatīšana - 2001
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According action amount appears applied approach appropriation argued argument artistic basis benefit CDPA Chap cited claim clear common concerned considered context Copinger copy Copyright Act copyright infringement copyright law copyright protection Court created creation database dealing defendant developed Directive discussed domain drawing droit economic effect EIPR engraving European example expression fact fair galleries give given granted held idea images important industrial Intellectual Property interests Internet involved issue judge labour Laddie limited literary London Lord matter means Member moral rights museums nature noted object original owner painting parody particular passing person photographs plaintiff Position present Press produced protected by copyright published question recent Records registered relation relevant reproduction resale sculpture similar skill substantial supra term tion trade mark treatment UK law

Par autoru (2001)

Simon Stokes is a Solicitor and a Visiting Research Fellow at Bournemouth Law School, and a Partner of Blake Lapthorn Tarlo Lyons.

Bibliogrāfiskā informācija

QR code for Art and Copyright
NosaukumsArt and Copyright
AutorsSimon Stokes
Izdevums:jauns izdevums, pārstrādāts
IzdevējsBloomsbury Academic, 2001
Oriģināls noMičiganas universitāte
Digitalizēta24.10.2008
ISBN184113225X, 9781841132259
Apjoms216 lappuses
  
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