Music Licensing and Small Business: Hearing Before the Committee on Small Business, House of Representatives, One Hundred Fourth Congress, Second Session, Washington, DC, May 8, 1996, 4. sējumsU.S. Government Printing Office, 1997 - 257 lappuses |
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1.–5. rezultāts no 39.
1. lappuse
... SESAC , has long been a major concern for small businesses in the entertainment and retail- ing industry . The background music that we all hear when we're out at our favorite restaurant or local bar or a retail store is something that ...
... SESAC , has long been a major concern for small businesses in the entertainment and retail- ing industry . The background music that we all hear when we're out at our favorite restaurant or local bar or a retail store is something that ...
12. lappuse
... SESAC , find the users of our music and license them at a fair fee . As Mr. LaFalce noted , restaurants and taverns licensed by ASCAP currently pay an average of $ 1.58 a day to use all of ASCAP's repertoire of about 4 million songs ...
... SESAC , find the users of our music and license them at a fair fee . As Mr. LaFalce noted , restaurants and taverns licensed by ASCAP currently pay an average of $ 1.58 a day to use all of ASCAP's repertoire of about 4 million songs ...
17. lappuse
... SESAC , met with members of interested groups that formed a coalition supporting the legislation introduced by Mr. Sensenbrenner . This bill would , in fact , exempt commercial enterprises from copyright liability for music which ...
... SESAC , met with members of interested groups that formed a coalition supporting the legislation introduced by Mr. Sensenbrenner . This bill would , in fact , exempt commercial enterprises from copyright liability for music which ...
18. lappuse
... SESAC , have attempted to negotiate an agreement with the Na- tional Restaurant Association and some other members of the coali- tion . Our overtures to increase the size of commercial establish- ment qualified for exemption from ...
... SESAC , have attempted to negotiate an agreement with the Na- tional Restaurant Association and some other members of the coali- tion . Our overtures to increase the size of commercial establish- ment qualified for exemption from ...
20. lappuse
... SESAC already collect millions from radio and TV broadcasters . To get a business owner to pay up because of something we have in the background , like a commercial jingle during a TV show is excessive . Second , let's find a way to ...
... SESAC already collect millions from radio and TV broadcasters . To get a business owner to pay up because of something we have in the background , like a commercial jingle during a TV show is excessive . Second , let's find a way to ...
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ALGER amended antitrust arbitration ASCAP and BMI ASCAP repertory background music Barba BERENSON Berne Convention bill blanket license BMI and SESAC Broadcast Music Chair MEYERS Congress consent decrees copyright law copyright owner copyrighted music cost disputes Dixville Notch entertainment Epperson exempt Fairness in Musical hearing incidental infringement intellectual property issue Jim Sensenbrenner LAFALCE lawsuit legislation Licensed Beverage Association Madam Chair motion picture music licensing organizations music licensing societies music publishers music users musical compositions Musical Licensing Act National Football League National Licensed Beverage National Religious Broadcasters National Restaurant Association negotiate NLBA paid Pat Alger percent performance or display performing rights organizations performing rights society play program license public performance radio stations Religious Broadcasters representatives request restaurateurs retail royalties Sensenbrenner SESAC small business owners Society of Composers songs songwriters TAVENNER television Th F Thank there's tion York ZELIFF
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156. lappuse - For the purpose of the foregoing sentence, a "supplementary work" is a work prepared for publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes, and an "instructional text...
178. lappuse - THEREFORE, before any testimony has been taken herein, and without trial or adjudication of any issue of fact...
151. lappuse - Phonorecords" are material objects in which sounds, other than those accompanying a motion picture or other audiovisual work, are fixed by any method now known or later developed, and from which the sounds can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term "phonorecords" includes the material object in which the sounds are first fixed.
150. lappuse - Audiovisual works" are works that consist of a series of related images which are intrinsically intended to be shown by the use of machines or devices such as projectors, viewers, or electronic equipment, together with accompanying sounds, if any, regardless of the nature of the material objects, such as films or tapes, in which the works are embodied.
152. lappuse - fixed" in a tangible medium of expression when its embodiment in a copy orphonorecord, by or under the authority of the author, is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration. A work consisting of sounds, images, or both, that are being transmitted, is "fixed...
178. lappuse - This Court has jurisdiction of the subject matter of this action and of the parties hereto. The complaint states...
152. lappuse - derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted.
152. lappuse - Every application for copyright registration must state "the year in which creation of the work was completed." Give the date and nation of first publication only if the work has been published. Creation: Under the statute, a work is "created" when it is fixed in a copy or phonorecord for the first time.
152. lappuse - joint work" is a work; prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of a unitary whole. "Literary works" are works, other than audiovisual works, expressed in words, numbers, or other verbal or numerical symbols or indicia, regardless of the nature of the material objects, such as books, periodicals, manuscripts, phonorecords, film, tapes, disks, or cards in which they are embodied.
112. lappuse - This agreement shall enure to the benefit of and shall be binding upon the parties hereto and their respective successors and assigns...