Originality: A Popular Study of the Creative MindT.W. Laurie, 1918 - 303 lappuses |
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Originality: A Popular Study of the Creative Mind Thomas Sharper Knowlson Priekšskatījums nav pieejams - 2009 |
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ability action activity analogy analysis Analytical Psychology association better brain called Charlotte Brontë civilisation conception creative critics discovery doubt Edmund Gosse effort emotional experience expression fact factor feeling genius George Eliot Goethe human ideas illative sense imagination imitation individual inspiration instance intellectual interest intuition James Mill kind knowledge literary literature Lloyd Morgan matter means ment mental energy method mind modern moral Müller-Lyer illusion nature never Nietzsche notion originality phenomena philosophy physical plagiarism Plato poet poetry possible principle problem processes Prof Professor progress psychology Quatremère de Quincy question range of consciousness reader realise reason religion result Rosa Bonheur says scientific Shakespeare social speaking spirit stimulus stream of consciousness subconscious sphere tendency theory things thought tion true truth unconscious unity whilst whole Wildon Carr word write
Populāri fragmenti
166. lappuse - But where shall wisdom be found ? and where is the place of understanding ? Man knoweth not the price thereof; neither is it found in the land of the living. The depth saith, It is not in me : and the sea saith, It is not with me.
75. lappuse - Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, 'I will compose poetry.' The greatest poet even cannot say it: for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness...
275. lappuse - Every moment some form grows perfect in hand or face ; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive to us, — for that moment only.
25. lappuse - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more.
84. lappuse - I have written this Poem from immediate Dictation, twelve or sometimes twenty or thirty lines at a time, without Premeditation & even against my Will...
6. lappuse - WHEN I read the book, the biography famous, And is this then (said I) what the author calls a man's life ? And so will some one when I am dead and gone write my life? (As if any man really knew aught of my life, Why even I myself I often think know little or nothing of my real life, Only a few hints, a few diffused faint clews and indirections I seek for my own use to trace out here...
167. lappuse - I loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature ; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
206. lappuse - ... an advocate, by the sacred duty which he owes his client, knows in the discharge of that office but one person in the world, that client and none other. To save that client by all expedient means, to protect that client at all hazards and costs, to all others, and among others to himself, is the highest and most unquestioned of his duties ; and he must not regard the alarm, the suffering, the torment, the destruction which he may bring upon any other.
141. lappuse - Antiquity deserveth that reverence, that men should make a stand thereupon, and discover what is the best way; but when the discovery is well taken, then to make progression.
37. lappuse - A first hypothesis now presents itself: the subliminal self is in no way inferior to the conscious self; it is not purely automatic ; it is capable of discernment ; it has tact, delicacy; it knows how to choose, to divine. What do I say? It knows better how to divine than the conscious self, since it succeeds where that has failed.