Differences in the Dark: American Movies and English Theater, 10. sējumsColumbia University Press, 1998 - 188 lappuses George Bernard Shaw once quipped that America and England are two cultures separated by a common language. In this innovative attempt to place the movies and theater in the larger context of American and English cultural differences, Michael Gilmore demonstrates that the most interesting way to understand the distinctions between the two cultures is by looking closely at each country's favorite art form. Differences in the Dark is a fresh, wide-ranging look at the meaning of America's fascination with movies and movie stars, and the way the soul of Britain is reflected in its tenacious love affair with the stage. Gilmore shows how the characteristic features of American experience are inscribed in how movies, the quintessentially American idiom, are made and viewed. In the private, solitary nature of film-viewing (in contrast to the more communal, interactive experience of seeing a play), and in American actors' tendency to play themselves, not their characters, from role to role, American movies express a strong sense of individualism and a tendency to escape the limits of time for the freedom of space. An art form built of sophisticated technology and cutting and splicing of time and space, Gilmore argues, resonates deeply in the country of reinvented lives and wide-open spaces. At the same time, the English tradition of class and collective memory is perfectly served by an art form that requires disciplined memorization and the submergence of the individual within a role that, in many cases, existed before the actor was born. Unlike the mechanical products of Hollywood or Disneyland, drama by its very nature cannot be mass-produced. Bringing together such diverse topics as theme parks, realism, and social class, as well as the role of Jewish immigrants in the making of Hollywood (and their virtual exclusion from Great Britain) and the connection between the movies and the African-American community, Differences in the Dark is one of the most original and engaging cross-cultural studies to appear in many years. |
Saturs
Random Parallels Between the Cinema | 16 |
American | 24 |
Things or the Reign of Commodities | 54 |
English Movies American Theater | 90 |
Richard Chase and the Exceptionalism | 100 |
A Note on Brecht and the Cinema | 125 |
NOTES | 159 |
| 179 | |
Citi izdevumi - Skatīt visu
Differences in the Dark: American Movies and English Theater, 10. sējums Michael T. Gilmore Priekšskatījums nav pieejams - 1998 |
Bieži izmantoti vārdi un frāzes
acting actors African Americans American cinema American movies art form Arthur Miller ater audience AUTHOR'S COLLECTION Birth Brecht Britain British Broadway Cambridge camera capitalism character Cinerama classical Classical Hollywood Cinema cultural D. W. Griffith democratic diegesis Disney Dixon drama early Empire England entertainment essay experience fiction film's filmmakers genre global Gore Vidal Hollywood human images imperial industrial James James Weldon Johnson Jim Carrey John John Gregory Dunne King's Head less Lindsay live London mass medium ment modern motion pictures movie star moviegoing Moving Picture narrative nature nickelodeons novel Oxford University Press Penelope Fitzgerald performance persons physical plays political popular Populist production quotation quoted racial realism role scene screen social society space spectacle spectator story studios style television theater theatergoer theatrical tion Todd-AO ture twentieth twentieth-century United Victorian viewer Walter Benjamin widescreen York
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