The Nature of Poetic Literature, 7. sējumsUniversity of Washington Press, 1930 - 248 lappuses |
No grāmatas satura
1.–3. rezultāts no 62.
12. lappuse
... arousal of instincts ; each emotion constitutes an integral portion of the total stirred - upness of the organism as an instinct is aroused to activity and attempts to work itself out . This substantiates again . the theory that ...
... arousal of instincts ; each emotion constitutes an integral portion of the total stirred - upness of the organism as an instinct is aroused to activity and attempts to work itself out . This substantiates again . the theory that ...
92. lappuse
... aroused . The arousal of an impulse in the face of a situation or object implies a stirred - upness , mental and observ- able , of the organism ; part of this stirred - upness is the emotion . It is , however , a matter of common ...
... aroused . The arousal of an impulse in the face of a situation or object implies a stirred - upness , mental and observ- able , of the organism ; part of this stirred - upness is the emotion . It is , however , a matter of common ...
132. lappuse
... arousing of vivid imagery were the principal aim of the poetic writer , the latter's efforts would from the outset ... arousing emotional re- sponses . In doing so , he will necessarily frequently be compelled to present perceptions or ...
... arousing of vivid imagery were the principal aim of the poetic writer , the latter's efforts would from the outset ... arousing emotional re- sponses . In doing so , he will necessarily frequently be compelled to present perceptions or ...
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abstract affective Alexander Bain analysis appreciation Aristotle aroused attitude beauty become behaviour behaviour-cycle C. K. Ogden chapter character classification complex conative-affective process concrete consciousness constitute creative imagination Dachstein definite differences discussion distinction drama elements emotional experience empathetic responses esthetic etcetera evidently evoked expression fact feelings of pleasure fiction fundamental further greater vitality hero human activity I. A. Richards ideas illustration imagery images important impulses individual instincts intel intellectual activity language largely latter literary Max Eastman McDougall modern Molière movements Müller-Freienfels nature normal novel responses observable trial onomatopoetic organism ourselves perception poem poet poetic experience poetic literature poetic writer poetry and science present problem processes of association Psychology reaction tendency recognize reference regarded response-mechanism rhythm Ribot role scientific seems sensations sensory contacts significant similar situation or object subtle suggested superior symbolic empathy tend theory tion tragedy trial and error unity vague various Walter Pater