Promises to Keep: Technology, Law, and the Future of EntertainmentStanford University Press, 2004 - 352 lappuses During the past fifteen years, changes in the technologies used to make and store audio and video recordings, combined with the communication revolution associated with the Internet, have generated an extraordinary array of new ways in which music and movies can be produced and distributed. Both the creators and the consumers of entertainment products stand to benefit enormously from the new systems. Sadly, we have failed thus far to avail ourselves of these opportunities. Instead, much energy has been devoted to interpreting or changing legal rules in hopes of defending older business models against the threats posed by the new technologies. These efforts to plug the multiplying holes in the legal dikes are failing and the entertainment industry has fallen into crisis. This provocative book chronicles how we got into this mess and presents three alternative proposals--each involving a combination of legal reforms and new business models--for how we could get out of it. |
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1.5. rezultāts no 70.
6. lappuse
... audio CD standard. In short, the companies that together have supplied us with recorded entertainment are not only fighting with consumers; increasingly, they are fighting among themselves.5 How did we get into this mess? And how are we ...
... audio CD standard. In short, the companies that together have supplied us with recorded entertainment are not only fighting with consumers; increasingly, they are fighting among themselves.5 How did we get into this mess? And how are we ...
7. lappuse
... audio and video recordings and by the increasing power of American companies in foreign markets. However, the systems also had three drawbacks: they were unnecessarily expensive, they produced highly skewed income distributions among ...
... audio and video recordings and by the increasing power of American companies in foreign markets. However, the systems also had three drawbacks: they were unnecessarily expensive, they produced highly skewed income distributions among ...
9. lappuse
... audio or video recording who wished to be compensated when it was used by others would register it with the Copyright Office and would receive, in return, a unique file name, which then would be used to track its distribution ...
... audio or video recording who wished to be compensated when it was used by others would register it with the Copyright Office and would receive, in return, a unique file name, which then would be used to track its distribution ...
11. lappuse
... audio recordings either from her hard drive or from compact discs borrowed from her sister or her friends onto inexpensive blank discs. In short, my daughter, like most of her classmates, routinely employs her computer, not just to read ...
... audio recordings either from her hard drive or from compact discs borrowed from her sister or her friends onto inexpensive blank discs. In short, my daughter, like most of her classmates, routinely employs her computer, not just to read ...
13. lappuse
... audio and video recordings. Is this revolution now complete? On the contrary, one of the central claims of this book is that we have only begun to tap the extraordinary power of the new technology. But the way in which my daughter and ...
... audio and video recordings. Is this revolution now complete? On the contrary, one of the central claims of this book is that we have only begun to tap the extraordinary power of the new technology. But the way in which my daughter and ...
Saturs
1 | |
11 | |
Entertainment Law and Practice in 1990 | 38 |
3 What Went Awry | 82 |
4 Taking Property Rights Seriously | 134 |
5 Online Entertainment as a Regulated Industry | 173 |
6 An Alternative Compensation System | 199 |
Where Does the Money Go? | 259 |
Notes | 265 |
Index | 321 |
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Promises to Keep: Technology, Law, and the Future of Entertainment William W. Fisher Priekšskatījums nav pieejams - 2004 |
Bieži izmantoti vārdi un frāzes
able activity American amount approximately artists associated audio benefits broadcast Chapter charge collect computers concerning Congress considered consumers copies copyright law copyright owners costs Court created currently customers designed developed devices discussed distribution doctrine Economics effect enable entertainment example fees files film first important income increase industry infringement interest Internet Law Review least less license limited listeners major material million Napster offer percent performance person possible prevent proposed protection radio rates reasons recently record companies regime registered regulation respect result royalties rules Second share song sort sound recordings stations statute stream studios substantial suggested television tion typically United University users various video recordings Webcasters
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136. lappuse - THERE is nothing which so generally strikes the imagination, and engages the affections of mankind, as the right of . property ; or that sole and despotic dominion which one man claims and exercises over the external things of the world} in total exclusion of the right of any other individual in the universe.
92. lappuse - Contracting Parties shall provide adequate legal protection and effective legal remedies against the circumvention of effective technological measures that are used by authors in connection with the exercise of their rights under this Treaty or the Berne Convention and that restrict acts, in respect of their works, which are not authorized by the authors concerned or permitted by law.
137. lappuse - Land hath also, in its legal signification, an indefinite extent, upwards as well as downwards. Cujus est solum, ejus est usque ad'aelum, is the maxim of the law ; upwards, therefore no man may erect any building, or the like, to overhang another's land...
44. lappuse - ... the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
93. lappuse - No person shall manufacture, import, offer to the public, provide, or otherwise traffic in any technology, product, service, device, component, or part thereof...
86. lappuse - Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.
44. lappuse - Quotation of short passages in a scholarly or technical work, for illustration or clarification of the author's observations. Use in a parody of some of the content of the work parodied. Summary of an address or article, with brief quotations, in a news report. Reproduction by a library of a portion of a work to replace part of a damaged copy. Reproduction by a teacher or student of a small part of a work to illustrate a lesson.
86. lappuse - ... only sounds, and material, statements, or instructions incidental to those fixed sounds, if any, and (ii) from which the sounds and material can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.
Atsauces uz šo grāmatu
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