Promises to Keep: Technology, Law, and the Future of Entertainment
Stanford University Press, 2004 - 352 lappuses
During the past fifteen years, changes in the technologies used to make and store audio and video recordings, combined with the communication revolution associated with the Internet, have generated an extraordinary array of new ways in which music and movies can be produced and distributed. Both the creators and the consumers of entertainment products stand to benefit enormously from the new systems. Sadly, we have failed thus far to avail ourselves of these opportunities. Instead, much energy has been devoted to interpreting or changing legal rules in hopes of defending older business models against the threats posed by the new technologies. These efforts to plug the multiplying holes in the legal dikes are failing and the entertainment industry has fallen into crisis. This provocative book chronicles how we got into this mess and presents three alternative proposals--each involving a combination of legal reforms and new business models--for how we could get out of it.
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able activity American amount approximately artists associated audio beneﬁts broadcast Chapter charge collect computers concerning Congress considered consumers copies copyright law copyright owners costs Court created currently customers designed developed devices discussed distribution doctrine Economics effect enable entertainment example fees ﬁles ﬁlm ﬁrst important income increase industry infringement interest Internet Law Review least less license limited listeners major material million Napster offer percent performance person possible prevent proposed protection radio rates reasons recently record companies regime registered regulation respect result royalties rules Second share song sort sound recordings stations statute stream studios substantial suggested television tion typically United University users various video recordings Webcasters
136. lappuse - THERE is nothing which so generally strikes the imagination, and engages the affections of mankind, as the right of . property ; or that sole and despotic dominion which one man claims and exercises over the external things of the world} in total exclusion of the right of any other individual in the universe.
92. lappuse - Contracting Parties shall provide adequate legal protection and effective legal remedies against the circumvention of effective technological measures that are used by authors in connection with the exercise of their rights under this Treaty or the Berne Convention and that restrict acts, in respect of their works, which are not authorized by the authors concerned or permitted by law.
137. lappuse - Land hath also, in its legal signification, an indefinite extent, upwards as well as downwards. Cujus est solum, ejus est usque ad'aelum, is the maxim of the law ; upwards, therefore no man may erect any building, or the like, to overhang another's land...
44. lappuse - ... the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
93. lappuse - No person shall manufacture, import, offer to the public, provide, or otherwise traffic in any technology, product, service, device, component, or part thereof...
86. lappuse - Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.
44. lappuse - Quotation of short passages in a scholarly or technical work, for illustration or clarification of the author's observations. Use in a parody of some of the content of the work parodied. Summary of an address or article, with brief quotations, in a news report. Reproduction by a library of a portion of a work to replace part of a damaged copy. Reproduction by a teacher or student of a small part of a work to illustrate a lesson.
86. lappuse - ... only sounds, and material, statements, or instructions incidental to those fixed sounds, if any, and (ii) from which the sounds and material can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.
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Wired Shut: Copyright and the Shape of Digital Culture
Ierobežota priekšskatīšana - 2009