Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
No grāmatas satura
1.5. rezultāts no 19.
79. lappuse
... public domain . I guess a lot of film buffs know when that was made , in 1946 , it got terrible reviews . The critics trashed it . The film was a financial disaster because the company was dissolved that Mr. Stewart and Mr. Capra had ...
... public domain . I guess a lot of film buffs know when that was made , in 1946 , it got terrible reviews . The critics trashed it . The film was a financial disaster because the company was dissolved that Mr. Stewart and Mr. Capra had ...
83. lappuse
... public domain and people were not seeing the movie as he wanted them to see it . They were seeing it with scratches . They were seeing edited versions . Scenes were missing and , because it was in public domain , maybe 20-25 ...
... public domain and people were not seeing the movie as he wanted them to see it . They were seeing it with scratches . They were seeing edited versions . Scenes were missing and , because it was in public domain , maybe 20-25 ...
84. lappuse
... public domain , we have decided to locate , preserve and to colorize them . Because they are in the public domain , the existing prints are not very good . So , whether you are watching public domain prints of " MEET JOHN DOE " with ...
... public domain , we have decided to locate , preserve and to colorize them . Because they are in the public domain , the existing prints are not very good . So , whether you are watching public domain prints of " MEET JOHN DOE " with ...
94. lappuse
... public domain , producers must look to State rules of contract interpretation , and Federal and State tort rules , to secure their interests in authentici- ty . [ The statement of Mr. Goldstein follows : ] Statement of Paul Goldstein ...
... public domain , producers must look to State rules of contract interpretation , and Federal and State tort rules , to secure their interests in authentici- ty . [ The statement of Mr. Goldstein follows : ] Statement of Paul Goldstein ...
100. lappuse
... public domain , producers must look to state rules of contract interpretation and to state and federal tort rules to secure their interests in authenticity . APPENDIX STANFORD LAW SCHOOL . STANFORD . CALIFORNIA 94305 PAUL 100.
... public domain , producers must look to state rules of contract interpretation and to state and federal tort rules to secure their interests in authenticity . APPENDIX STANFORD LAW SCHOOL . STANFORD . CALIFORNIA 94305 PAUL 100.
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
accompanying text actors alter American and-white artistic integrity audience authorship black and white black-and black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee CONGRESS THE LIBRARY contract Copyright Act copyright law copyright owner copyright protection creative creator cultural Directors Guild economic fact Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy LIBRARY OF CONGRESS look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN Subcommittee supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG
Populāri fragmenti
74. lappuse - a tempest in a li'l old teapot," I hesitate to invoke Voltaire's oft-recited dictum: "I disapprove of what you say, but I will defend to the death your right to say it." I definitely don't want the anti-colorists to defend to the death our right to color old movies. I
187. lappuse - doing business in the locality falsely indicated as that of origin or in the region in which said locality is situated, or by any person who believes that he is or is likely to be damaged by the use of any such false description or representation. Id. 87. See Greenstone, supra note 78, at 19. 88. Id. 89. See supra note 52. 90.
110. lappuse - of the programthe original versions of the program were unaffected by the defendants' actions.) The Copyright Act of 1976 even contains an express provision protective of artistic integrity. Sec. 115, which deals with compulsory licenses for making and distributing phonorecords, provides that "the arrangement shall not change the basic melody or fundamental character of the work.
158. lappuse - films were already constructively dead. As much as one may wish to enlighten the public, Justice Holmes once observed "the taste of any public is not to be treated with contempt. It is an ultimate fact for the moment, whatever may be our hopes for a
121. lappuse - the said rights, the author shall have the right to claim authorship of the work and to object to any distortion, mutilation, or other
132. lappuse - French copyright law which provides in relevant part: The author of an intellectual work shall, by the mere fact of its creation, enjoy an incorporeal property right in the work, effective against all persons. This right includes attributes of an intellectual or moral nature as well as attributes of an economic nature as determined by this
121. lappuse - of, or other derogatory action in relation to, the said work, which would be prejudicial to his honor or reputation.
139. lappuse - have long granted relief for misrepresentation of an artist's work by relying on theories outside the statutory law of copyright, such as contract law. [citations omitted] Although such decisions are clothed in terms of proprietary right in one's creation, they also properly vindicate the author's personal right to prevent the presentation of his work to the public in distorted