Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
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1.–5. rezultāts no 22.
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... and a particular place , solving particular aesthetic and technical problems with the particular tools available to them at that time . [ Submissions of Mr. Silverstein follow : ] GUILD DIRECT OF DIRECTORS GUILD OF AMERICA IN STATEMENT OF.
... and a particular place , solving particular aesthetic and technical problems with the particular tools available to them at that time . [ Submissions of Mr. Silverstein follow : ] GUILD DIRECT OF DIRECTORS GUILD OF AMERICA IN STATEMENT OF.
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... PROBLEMS WITH THE TOOLS AVAILABLE TO THEM AT THAT TIME . PARTICULAR THE CULTURE OF THE UNITED STATES , LIKE THAT OF MOST OTHER COUNTRIES , HAS BEEN SUPPORTED AND PROTECTED BY THE TAXES OF THE PEOPLE AND SOMETIMES BY THEIR LIVES . IN A ...
... PROBLEMS WITH THE TOOLS AVAILABLE TO THEM AT THAT TIME . PARTICULAR THE CULTURE OF THE UNITED STATES , LIKE THAT OF MOST OTHER COUNTRIES , HAS BEEN SUPPORTED AND PROTECTED BY THE TAXES OF THE PEOPLE AND SOMETIMES BY THEIR LIVES . IN A ...
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... problem . But for those less fortunate and , of course , the deceased ones , pro- tection must be guaranteed . If a producer insists on color and if a helpless director is forced to film it the studio's way , despite his own feelings ...
... problem . But for those less fortunate and , of course , the deceased ones , pro- tection must be guaranteed . If a producer insists on color and if a helpless director is forced to film it the studio's way , despite his own feelings ...
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... PROBLEM . BUT FOR THOSE LESS FORTUNATE AND , OF COURSE , THE DECEASED ONES , PROTECTION MUST BE GUARANTEED . IF A PRODUCER INSISTS ON COLOR AND IF A HELPLESS DIRECTOR IS FORCED TO FILM IT THE STUDIO'S WAY , DESPITE HIS OWN FEELINGS THAT ...
... PROBLEM . BUT FOR THOSE LESS FORTUNATE AND , OF COURSE , THE DECEASED ONES , PROTECTION MUST BE GUARANTEED . IF A PRODUCER INSISTS ON COLOR AND IF A HELPLESS DIRECTOR IS FORCED TO FILM IT THE STUDIO'S WAY , DESPITE HIS OWN FEELINGS THAT ...
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... problem is that they have not been able to do it , and the situation has gotten worse and worse and more insulting over the years , and now the colorization is just , I guess , the straw that broke the camel's back because it is so ...
... problem is that they have not been able to do it , and the situation has gotten worse and worse and more insulting over the years , and now the colorization is just , I guess , the straw that broke the camel's back because it is so ...
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accompanying text actors alter American and-white artistic integrity audience authorship black and white black-and black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee CONGRESS THE LIBRARY contract Copyright Act copyright law copyright owner copyright protection creative creator cultural Directors Guild economic fact Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy LIBRARY OF CONGRESS look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN Subcommittee supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG
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74. lappuse - a tempest in a li'l old teapot," I hesitate to invoke Voltaire's oft-recited dictum: "I disapprove of what you say, but I will defend to the death your right to say it." I definitely don't want the anti-colorists to defend to the death our right to color old movies. I
187. lappuse - doing business in the locality falsely indicated as that of origin or in the region in which said locality is situated, or by any person who believes that he is or is likely to be damaged by the use of any such false description or representation. Id. 87. See Greenstone, supra note 78, at 19. 88. Id. 89. See supra note 52. 90.
110. lappuse - of the program—the original versions of the program were unaffected by the defendants' actions.) The Copyright Act of 1976 even contains an express provision protective of artistic integrity. Sec. 115, which deals with compulsory licenses for making and distributing phonorecords, provides that "the arrangement shall not change the basic melody or fundamental character of the work.
158. lappuse - films were already constructively dead. As much as one may wish to enlighten the public, Justice Holmes once observed "the taste of any public is not to be treated with contempt. It is an ultimate fact for the moment, whatever may be our hopes for a
121. lappuse - the said rights, the author shall have the right to claim authorship of the work and to object to any distortion, mutilation, or other
132. lappuse - French copyright law which provides in relevant part: The author of an intellectual work shall, by the mere fact of its creation, enjoy an incorporeal property right in the work, effective against all persons. This right includes attributes of an intellectual or moral nature as well as attributes of an economic nature as determined by this
121. lappuse - of, or other derogatory action in relation to, the said work, which would be prejudicial to his honor or reputation.
139. lappuse - have long granted relief for misrepresentation of an artist's work by relying on theories outside the statutory law of copyright, such as contract law. [citations omitted] Although such decisions are clothed in terms of proprietary right in one's creation, they also properly vindicate the author's personal right to prevent the presentation of his work to the public in distorted