Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
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1.–5. rezultāts no 54.
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... Creative Affairs , Hal Roach Studios ; and Buddy Young , President , Color Systems Technology , Inc ..... Goldstein , Paul , Stella W. and Ira S. Lillick Professor of Law , Stanford University . Allen , Woody : Testimony ALPHABETICAL ...
... Creative Affairs , Hal Roach Studios ; and Buddy Young , President , Color Systems Technology , Inc ..... Goldstein , Paul , Stella W. and Ira S. Lillick Professor of Law , Stanford University . Allen , Woody : Testimony ALPHABETICAL ...
1. lappuse
... 't just sit back and try to fit new technology into old legal holes . We have to be creative while hold- ( 1 ) ing firm on fundamental American principles of law , fairness KF26 J8745 1987a сору CONTENTS OPENING STATEMENT.
... 't just sit back and try to fit new technology into old legal holes . We have to be creative while hold- ( 1 ) ing firm on fundamental American principles of law , fairness KF26 J8745 1987a сору CONTENTS OPENING STATEMENT.
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... organization , consisting of almost 8,500 men and women across the country who make film and tape entertainment . A vital part of our labor contract with our employ- ers is entitled " Creative Rights . " These rights 2.
... organization , consisting of almost 8,500 men and women across the country who make film and tape entertainment . A vital part of our labor contract with our employ- ers is entitled " Creative Rights . " These rights 2.
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... Creative Rights . " These rights describe a list of re- corded acknowledgments with the Producers ' Association that di- rectors are artists and , as such , have certain rights , not privileges , to be involved in an essential way of ...
... Creative Rights . " These rights describe a list of re- corded acknowledgments with the Producers ' Association that di- rectors are artists and , as such , have certain rights , not privileges , to be involved in an essential way of ...
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... CREATIVE RIGHTS . " LET ME EXPLAIN THEIR PERTINENCE TO THIS HEARING . THERE ARE THREE MAJOR PHASES то FILMMAKING : THE PREPRODUCTION PHASE ( PREPARATION OF SCRIPT , CASTING , SELECTION OF STAFF AND LOCATION , BUDGETING ETC. ) PRODUCTION ...
... CREATIVE RIGHTS . " LET ME EXPLAIN THEIR PERTINENCE TO THIS HEARING . THERE ARE THREE MAJOR PHASES то FILMMAKING : THE PREPRODUCTION PHASE ( PREPARATION OF SCRIPT , CASTING , SELECTION OF STAFF AND LOCATION , BUDGETING ETC. ) PRODUCTION ...
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accompanying text actors alter American and-white artistic integrity audience authorship black and white black-and black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee CONGRESS THE LIBRARY contract Copyright Act copyright law copyright owner copyright protection creative creator cultural Directors Guild economic fact Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy LIBRARY OF CONGRESS look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN Subcommittee supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG
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74. lappuse - a tempest in a li'l old teapot," I hesitate to invoke Voltaire's oft-recited dictum: "I disapprove of what you say, but I will defend to the death your right to say it." I definitely don't want the anti-colorists to defend to the death our right to color old movies. I
187. lappuse - doing business in the locality falsely indicated as that of origin or in the region in which said locality is situated, or by any person who believes that he is or is likely to be damaged by the use of any such false description or representation. Id. 87. See Greenstone, supra note 78, at 19. 88. Id. 89. See supra note 52. 90.
110. lappuse - of the program—the original versions of the program were unaffected by the defendants' actions.) The Copyright Act of 1976 even contains an express provision protective of artistic integrity. Sec. 115, which deals with compulsory licenses for making and distributing phonorecords, provides that "the arrangement shall not change the basic melody or fundamental character of the work.
158. lappuse - films were already constructively dead. As much as one may wish to enlighten the public, Justice Holmes once observed "the taste of any public is not to be treated with contempt. It is an ultimate fact for the moment, whatever may be our hopes for a
121. lappuse - the said rights, the author shall have the right to claim authorship of the work and to object to any distortion, mutilation, or other
132. lappuse - French copyright law which provides in relevant part: The author of an intellectual work shall, by the mere fact of its creation, enjoy an incorporeal property right in the work, effective against all persons. This right includes attributes of an intellectual or moral nature as well as attributes of an economic nature as determined by this
121. lappuse - of, or other derogatory action in relation to, the said work, which would be prejudicial to his honor or reputation.
139. lappuse - have long granted relief for misrepresentation of an artist's work by relying on theories outside the statutory law of copyright, such as contract law. [citations omitted] Although such decisions are clothed in terms of proprietary right in one's creation, they also properly vindicate the author's personal right to prevent the presentation of his work to the public in distorted