Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
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1.–5. rezultāts no 25.
3. lappuse
... black- and - white films need to be " improved " . They are what they are , for better or for worse . Adding color to original black - and - white films makes them something differ- ent than they were . " Grapes of Wrath " 3.
... black- and - white films need to be " improved " . They are what they are , for better or for worse . Adding color to original black - and - white films makes them something differ- ent than they were . " Grapes of Wrath " 3.
10. lappuse
... BETTER OR FOR WORSE . ADDING COLOR TO ORIGINAL BLACK AND WHITE FILMS MAKES THEM SOMETHING DIFFERENT THAN THEY WERE . " GRAPES OF WRATH " IN COLOR WOULD NOT BE " GRAPES OF WRATH " , AS DIRECTED BY JOHN FORD . LIKEWISE , " CITIZEN KANE ...
... BETTER OR FOR WORSE . ADDING COLOR TO ORIGINAL BLACK AND WHITE FILMS MAKES THEM SOMETHING DIFFERENT THAN THEY WERE . " GRAPES OF WRATH " IN COLOR WOULD NOT BE " GRAPES OF WRATH " , AS DIRECTED BY JOHN FORD . LIKEWISE , " CITIZEN KANE ...
15. lappuse
... better in school . He thinks the old man is a genius . Mr. Pollack , could we go to you , please , sir ? STATEMENT OF SYDNEY POLLACK Mr. POLLACK . Senator Leahy , I would like to take a few mo- ments , if I can , to show you a short ...
... better in school . He thinks the old man is a genius . Mr. Pollack , could we go to you , please , sir ? STATEMENT OF SYDNEY POLLACK Mr. POLLACK . Senator Leahy , I would like to take a few mo- ments , if I can , to show you a short ...
17. lappuse
... better and better . But the fundamental issue is not how good it is . That has nothing to do with the argument . It is not whether color is ipso facto better than black and white , but that it is not in any sense the same as black and ...
... better and better . But the fundamental issue is not how good it is . That has nothing to do with the argument . It is not whether color is ipso facto better than black and white , but that it is not in any sense the same as black and ...
18. lappuse
... better . You see , each choice changes in some way the signals that we send to the audience . Each area requires a fluency in one of the vocabularies we use to communicate . It is a tool out of which one sculpts the finished film . It ...
... better . You see , each choice changes in some way the signals that we send to the audience . Each area requires a fluency in one of the vocabularies we use to communicate . It is a tool out of which one sculpts the finished film . It ...
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accompanying text actors alter American and-white artistic integrity audience authorship black and white black-and black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee CONGRESS THE LIBRARY contract Copyright Act copyright law copyright owner copyright protection creative creator cultural Directors Guild economic fact Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy LIBRARY OF CONGRESS look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN Subcommittee supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG
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74. lappuse - a tempest in a li'l old teapot," I hesitate to invoke Voltaire's oft-recited dictum: "I disapprove of what you say, but I will defend to the death your right to say it." I definitely don't want the anti-colorists to defend to the death our right to color old movies. I
187. lappuse - doing business in the locality falsely indicated as that of origin or in the region in which said locality is situated, or by any person who believes that he is or is likely to be damaged by the use of any such false description or representation. Id. 87. See Greenstone, supra note 78, at 19. 88. Id. 89. See supra note 52. 90.
110. lappuse - of the program—the original versions of the program were unaffected by the defendants' actions.) The Copyright Act of 1976 even contains an express provision protective of artistic integrity. Sec. 115, which deals with compulsory licenses for making and distributing phonorecords, provides that "the arrangement shall not change the basic melody or fundamental character of the work.
158. lappuse - films were already constructively dead. As much as one may wish to enlighten the public, Justice Holmes once observed "the taste of any public is not to be treated with contempt. It is an ultimate fact for the moment, whatever may be our hopes for a
121. lappuse - the said rights, the author shall have the right to claim authorship of the work and to object to any distortion, mutilation, or other
132. lappuse - French copyright law which provides in relevant part: The author of an intellectual work shall, by the mere fact of its creation, enjoy an incorporeal property right in the work, effective against all persons. This right includes attributes of an intellectual or moral nature as well as attributes of an economic nature as determined by this
121. lappuse - of, or other derogatory action in relation to, the said work, which would be prejudicial to his honor or reputation.
139. lappuse - have long granted relief for misrepresentation of an artist's work by relying on theories outside the statutory law of copyright, such as contract law. [citations omitted] Although such decisions are clothed in terms of proprietary right in one's creation, they also properly vindicate the author's personal right to prevent the presentation of his work to the public in distorted