Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
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1.–5. rezultāts no 27.
26. lappuse
... able to tamper with any artist's work in any medium against the art- ist's will and this principle can be argued justly by any citizen . It does not need a directly involved artist . The colorizers may think they have a legal loophole ...
... able to tamper with any artist's work in any medium against the art- ist's will and this principle can be argued justly by any citizen . It does not need a directly involved artist . The colorizers may think they have a legal loophole ...
32. lappuse
... ABLE TO TAMPER WITH ANY ARTIST'S WORK IN ANY MEDIUM AGAINST THE ARTIST'S WILL AND THIS PRINCIPLE CAN BE ARGUED JUSTLY BY ANY CITIZEN . IT DOES NOT NEED A DIRECTLY INVOLVED ARTIST . THE COLORIZERS MAY THINK THEY HAVE A LEGAL LOOPHOLE BUT ...
... ABLE TO TAMPER WITH ANY ARTIST'S WORK IN ANY MEDIUM AGAINST THE ARTIST'S WILL AND THIS PRINCIPLE CAN BE ARGUED JUSTLY BY ANY CITIZEN . IT DOES NOT NEED A DIRECTLY INVOLVED ARTIST . THE COLORIZERS MAY THINK THEY HAVE A LEGAL LOOPHOLE BUT ...
34. lappuse
... able to sell this as a Picasso or an unknown for profit as the original work ? I believe not . I realize that I am hired and paid by the money people to make a film . But so was Michelangelo whom Medici hired and paid to paint the ...
... able to sell this as a Picasso or an unknown for profit as the original work ? I believe not . I realize that I am hired and paid by the money people to make a film . But so was Michelangelo whom Medici hired and paid to paint the ...
37. lappuse
... THE LINES , I CAN EVEN CUT A FEW INCHES HERE AND THERE TO ACCOMMODATE THE SPACE OF MY WALL . SHOULD I STILL BE ABLE TO SELL IT AS A PICASSO OR SOMEBODY ELSE'S ORIGINAL ? I BELIEVE NOT . I REALIZE THAT I AM HIRED AND PAID BY THE 37.
... THE LINES , I CAN EVEN CUT A FEW INCHES HERE AND THERE TO ACCOMMODATE THE SPACE OF MY WALL . SHOULD I STILL BE ABLE TO SELL IT AS A PICASSO OR SOMEBODY ELSE'S ORIGINAL ? I BELIEVE NOT . I REALIZE THAT I AM HIRED AND PAID BY THE 37.
41. lappuse
... able to be here . I have tried to incor- porate some of their ideas , too . Mr. Pollack , you have heard Ms. Rogers quote Jimmy Stewart as referring to the " Easter egg dying " aspect of " colorization . " Mr. Forman said at one point ...
... able to be here . I have tried to incor- porate some of their ideas , too . Mr. Pollack , you have heard Ms. Rogers quote Jimmy Stewart as referring to the " Easter egg dying " aspect of " colorization . " Mr. Forman said at one point ...
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accompanying text actors alter American and-white artistic integrity audience authorship black and white black-and black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee CONGRESS THE LIBRARY contract Copyright Act copyright law copyright owner copyright protection creative creator cultural Directors Guild economic fact Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy LIBRARY OF CONGRESS look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN Subcommittee supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG
Populāri fragmenti
74. lappuse - a tempest in a li'l old teapot," I hesitate to invoke Voltaire's oft-recited dictum: "I disapprove of what you say, but I will defend to the death your right to say it." I definitely don't want the anti-colorists to defend to the death our right to color old movies. I
187. lappuse - doing business in the locality falsely indicated as that of origin or in the region in which said locality is situated, or by any person who believes that he is or is likely to be damaged by the use of any such false description or representation. Id. 87. See Greenstone, supra note 78, at 19. 88. Id. 89. See supra note 52. 90.
110. lappuse - of the program—the original versions of the program were unaffected by the defendants' actions.) The Copyright Act of 1976 even contains an express provision protective of artistic integrity. Sec. 115, which deals with compulsory licenses for making and distributing phonorecords, provides that "the arrangement shall not change the basic melody or fundamental character of the work.
158. lappuse - films were already constructively dead. As much as one may wish to enlighten the public, Justice Holmes once observed "the taste of any public is not to be treated with contempt. It is an ultimate fact for the moment, whatever may be our hopes for a
121. lappuse - the said rights, the author shall have the right to claim authorship of the work and to object to any distortion, mutilation, or other
132. lappuse - French copyright law which provides in relevant part: The author of an intellectual work shall, by the mere fact of its creation, enjoy an incorporeal property right in the work, effective against all persons. This right includes attributes of an intellectual or moral nature as well as attributes of an economic nature as determined by this
121. lappuse - of, or other derogatory action in relation to, the said work, which would be prejudicial to his honor or reputation.
139. lappuse - have long granted relief for misrepresentation of an artist's work by relying on theories outside the statutory law of copyright, such as contract law. [citations omitted] Although such decisions are clothed in terms of proprietary right in one's creation, they also properly vindicate the author's personal right to prevent the presentation of his work to the public in distorted